Garibaldi visited Three Hummock Island, off the south coast of Australia in Bass Strait, then traveled to Australia and its nearby neighbor, New Zealand. Birds and marine animals Giuseppe had never seen swarmed the port in Otago Harbor. Looking through his binoculars he watched albatross fly over the boat and estimated their wingspan at nearly 11 feet, something he could barely believe. He watched them fly over to the nearby hillside and land, feeding their chicks in huge nests more gently than some people he had known treated their own children.
His greatest accomplishment came after his greatest disappointment.
One of the founding fathers of the Renaissance, Filippo Brunelleschi was more than an Italian designer. Brunelleschi made his mark in architecture and construction.
In his early years, sculpting was Brunelleschi’s passion. But after being passed over for a major commission, he set his sights on architecture, and changed the landscape of Italy as it is known today.
Brunelleschi’s most prominent contribution, the dome of Cathedral of Santa Maria del Fiore, was the first of its kind, paving the way for bigger and more elaborate domes to come. His invention of machines to facilitate the construction of the dome allowed future structures to not only be imagined, but to be erected as well.
With his imagination, understanding of linear perspective, focus on geometric principles, and intellect for mathematics, Brunelleschi influenced the rise of modern science and architecture worldwide.
Lincoln wasn’t always popular. His presidency was contentious even in the North, as the contested 1864 presidential election suggests, and most white southerners reviled him. David H. Donald, one of Lincoln’s many biographers, contends that the sixteenth president did not take on heroic, even mythological status until the early twentieth century (Donald 1969).
This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director. The difference here being that we will be posting lines from films written by female screenwriters. Feel free to share! — Rosanne
ANNIE
“Destiny is something that we’ve invented because we can’t stand the fact that everything that happens is accidental.”
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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
…and she tells a lovely story about one scene in which she had two — this is, of course, about the pre— the days of the Czar — and so you have lovely rich people fencing. Two lovely young men having a fencing match — a practice — and at the end of it they take off their attire and they put on their nice shirts with the lace and they walk away. And the men in her writing room — the Russian men — said “well, the scene is over when we know who won the match,” and she said “No, this is a soap opera. The scene is over when the women see their chests.” So, she was teaching them what you need inside a soap opera. So they wanted a teaching writer’s room and that’s what she was able to provide.
I always tell people you get hired to write on a television show. Look at them. They have eight episodes now or 12 maybe. You’re gonna write one and you’re going to have to give good notes on the other 10 or 11 for people who want you to stick around. It’s your job to make their work better so the show doesn’t get canceled and you don’t keep your job. So notes are one of the most important things to understand how to do.
Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.
Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!
The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.
“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film. This is our attempt to help write these women back into mainstream history. — Rosanne
Charlotte E. Ray (January 13, 1850 – January 4, 1911) was an American lawyer. She was the first black American female lawyer in the United States.[1][2] Ray graduated from Howard University School of Law in 1872. She was also the first female admitted to the District of Columbia Bar, and the first woman admitted to practice before the Supreme Court of the District of Columbia.[3] Her admission was used as a precedent by women in other states who sought admission to the bar.[4]
Ray opened her own law office, advertising in a newspaper run by Frederick Douglass.[5] However, she practiced law for only a few years because prejudice against African Americans and women made her business unsustainable.[6] Ray eventually moved to New York, where she became a teacher in Brooklyn. She was involved in the women’s suffrage movement[7] and joined the National Association of Colored Women.[8] — Wikipedia
Working on this chapter about how the life of Ruth Bader Ginsburg was adapted for the screen in On the Basis of Sex, I was reminded of the interview scene in the pilot of The Mary Tyler Moore Show where Lou Grant asks her if she’s married and what religion she is.
In 1970 those questions were illegal thanks to Title IV of the Civil Rights Act of 1964. But RBG had graduated in 1959 so the Act had not been around to help her. She was turned down because she was a woman and because she was Jewish – despite achievements like graduating first in her class and the distinction of being the first woman to work on two major law reviews: the Harvard Law Review and Columbia Law Review.
After Mary Tyler Moore’s death Wednesday, I watched the pilot episode of “The Mary Tyler Moore Show.” Though the show was revolutionary for its time for its portrayal of a single woman, working in journalism and living alone — I didn’t expect it to hold up all that well. Forty-seven years after the pilot aired, there are parts that are certainly retro. Louis “Lou” Grant (Edward Asner), for example, flat-out tells Mary Richards (Mary Tyler Moore) during a job interview: “I figured I’d hire a man for it, but we can talk about it.” But there’s a lot in that first episode that’s still relevant for single women today.
“If only more men understood, as you do, the value of having women in their ranks. In the military, in politics, in all seats of power,” Manuela mused. She had dedicated the end of her life to the fight for women’s rights to property, position and safety from abuse.
“I can only imagine how far we might have gone if I could have made my Anita the true general she deserved to be,” Giuseppe said.
“It is too late for Anita,” Manuela said. “But not for her daughters. Or granddaughters. Or great granddaughters if you work toward such a goal with as much passion as you bring to the goal of unity.”
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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
I wanted to talk about what it’s like. What’s the “operation” of a writer’s room and I love that this game is, of course, based on Rick & Morty, a TV show. So, we’re blending TV into all these other mediums now. You have to think about what kind of writer’s room you’re working. There are different kinds we’ve had experience with. My friend, Lisa Seidman, is a writer from Los Angeles. Some Russian producers came to Los Angeles. They wanted a woman –a person — who had written soap operas — both afternoon and evening soap operas — who could speak Russian and who had been a screenwriting teacher, because they wanted that person to move to Russia for a few years, start the show, Anastasia, Poor Anastasia, and teach a writing room how it should work. So that she could then leave and they could manage it themselves.
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