tv – Page 54 – On Screenwriting and Media with Dr. Rosanne Welch

Listen to the latest “How I Wrote That” Podcast with Screenwriter Julie Hébert from ‘American Crime’ and ‘Man in the High Castle’

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Julie Hébert started her creative life as a theater director and playwright (Ruby’s Bucket of Blood). She’s written and directed for the Magic Theater, Steppenwolf, Victory Gardens, LaMaMa, The Women’s Project, Cornerstone and many more. Her plays were honored twice with the Pen Award for Drama. Moving into television, Julie has written and directed for some of the most respected shows in television including American Crime, The Good Wife, Boss, Numb3rs and The West Wing. Her films have been praised as “intriguingly complex” (Variety) and “pulsing with veracity” (LA Times), with “a raw power that is impossible to dismiss” (Roger Ebert). She blogs occasionally at JulieHébert.com.

“I honor the depth inside and the stories that really want to be told because often in television you can get away with topline chatter, but to really hit on something that has meaning for you, that will have meaning for someone hearing the story, it has to come from a deeper place.” -Julie Hébert

Presented by Stephens College MFA in TV and Screenwriting

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A Photographic February for Stephens MFA in TV and Screenwriting

February was a month of sharing the marvelous photos from all the guest lectures who graced the January Stephens College MFA in TV and Screenwriting workshop with their talent and inspiration… (plus a quick shot of my upcoming book on Films of the Civil War).

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Write Your Family’s Stories! – Stephens College MFA in TV and Screenwriting

Sometimes the best scripts are hidden in our own families – call relatives, have dinners, write letters.

Then come to the Stephens College MFA in TV and Screenwriting to learn how to Write, Reach, and Represent all those hidden stories.

Charles M. Schulz Museum

We honor the great women who have gone ahead of us and who walk beside us every day on this #InternationalWomensDay. This Peanuts strip was first published on November 11, 1976⁠.⁠⁠

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#FacultyFriday: Phillip LaZebnik – Stephens College MFA in TV and Screenwriting

The Stephens College MFA in TV and Screenwriting would like to celebrate one of our mentors Philip LaZebnik, whose musical THE PRINCE OF EGYPT just opened on the West End! Congratulations Philip! #FacultyFriday

Philip Lazebnik has written numerous television episodes and motion picture screenplays in Los Angeles and Europe. His screenwriting credits include Disney’s Pocahontas and Mulan, and DreamWorks’ Prince of Egypt and The Legend of El Dorado. For the past several years, LaZebnik has lived in Denmark, where he has written movies and television shows throughout Europe and the U.S. His produced movies include the three Treasure of the Templar Knights movies in Denmark and The Three Investigators: The Secret of Skeleton Island and The Three Investigators: The Mystery of Terror Castle for Studio Hamburg; the Danish film Emma and Santa Claus; the English screenplay for Asterix and the Vikings and Asterix and the Domain of the Gods. He also wrote the TV mini-series Hindenburg in Germany, the Christmas TV series Ludvig and Santa Claus for TV2 in Denmark, and the book for Fairytale, a theatrical musical about H.C. Andersen with songs by Stephen Schwartz. Most recently he wrote the book for the musical theatrical version of Prince of Egypt with Stephen Schwartz, which opens in London’s West End on February 25, 2020.

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01 Introduction from When Women Write Horror with Dr. Rosanne Welch [Video] (1 minute 18 seconds)

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In honor of Halloween – and in service to my teaching philosophy —

“Words Matter. Writers Matter. Women Writers Matter.”

I presented this holiday lecture “When Women Write Horror” on Tuesday, October 29th, 2019. Researching the many, many women who have written horror stories – in novels, films and television – brought new names to my attention who I am excited to start reading. I hope you will be, too!

Transcript:

Alright, so welcome everybody. Today because we’re just two days outside of Halloween, we want to talk about horror but we want to talk about women in horror because you don’t get a lot of that right? When we think about horror we think about a lot of famous male authors. Now we do think about some of the women — both writers and we’re gonna think about some stories that are famous stories that are female focused and how that affects us as we watch these types of things right? What they make us think about. What we should be thinking about? So when I think about horror, I think about this lady first, Guesses? Mary Shelley. Mary Shelley. When we think about Mary Shelley we think about what book she wrote? Frankenstein. Right? Frankenstein does double duty. It’s kind of a double genre piece. It’s science fiction but it’s also horror. When we think about Frankenstein, we think about the monster and the movies that we’ve seen. The costumes people wear for Halloween. A lot of people — until they read Frankenstein — don’t understand that’s not the name of the monster. That’s name of Dr. Frankenstein who made the monster right? So this was all concocted in the brain of a 19 year old young woman and that’s how important her work was. We’re still reading it to this day right and we’re still thinking about what does it mean.

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† Available from the LA Public Library

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From The Journal Of Screenwriting V1 Issue 1: After the typewriter: the screenplay in a digital era by Kathryn Millard

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne

After the typewriter: the screenplay in a digital era by Kathryn Millard

This article aims to contribute to contemporary debates about screenwriting as a process of developing the screen idea; about the ways in which formatting conventions from an earlier era of cinema may restrict innovation in screenwriting; and about shifting practices of screenwriting in a digital era in which images and sound play a potentially more significant role. Additionally, it questions the use of terms such as blueprint to describe the relationship between the screenplay and the proposed film that it represents. The article draws on the author’s body of practice-led research as a writer and director of feature films and documentaries, as well as histories of screenwriting, film production, comics and the graphic arts.

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.

Get your copy and subscription to the Journal of Screenwriting Today!

Join me at the Screenwriting Research Network’s Annual Conference in Oxford, UK

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

#MeetTheGraduatesMonday: Antonio Zarro – Stephens College MFA in TV and Screenwriting

Every Monday we will be profiling a member of the Stephens College MFA in TV and Screenwriting 2020 graduating class. This exciting, fresh crop of writers are the future of the industry and are going on to do BIG things, so get to know them now!

#MeetTheGraduatesMonday: Antonio Zarro

Antonio Zarro is a director and actor for film and television. He created Aria Pictures, a media production company through which he produced and directed over 300 films, commercials and training dramas. His productions have played in Hollywood, Cannes and Europe, and have shown on Showtime, HBO, Cinemax and the Family Channel.

His work has screened at the NY Film Festival, the Chicago Film Festival, the Virginia Festival of American Film, the Columbus Film Festival and Worldfest-Houston. A few of Zarro’s awards include: A Cine Golden Eagle, Telly, Addy, and Aurora Award. He is a member of the Screen Actors Guild, acting in movies, television and the theatre. Zarro received a B.A. from the University of Tulsa and an M.A. from Regent University.

At the graduate level, he wrote and directed Bird in a Cage, which won a Student Academy Award.

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New Event: Beyond the Books: Writing TV Shows Based on Novels – Writers Guild Foundation – April 7, 2020

Beyond the Books: Writing TV Shows Based on Novels

Tuesday, April 7, 2020
7:30 PM 9:00 PM
The Writers Guild Foundation7000 West 3rd Street, 2nd floor, Los Angeles, CA, 90048

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What do you do when your series continues beyond the original book upon which the show is based? On this special evening, we join forces with Columbia College Chicago to welcome a panel of TV writers who’ll discuss how they navigate the uncharted territory of writing for a show that has diverged from the original novel.

Panelists:

Marissa Jo Cerar – Writer, Supervising Producer, The Handmaid’s Tale, 13 Reasons Why
I. Marlene King – Writer, Executive Producer, Pretty Little Liars
Stacy Osei-Kuffour – Writer, Watchmen
Anthony Sparks – Writer, Executive Producer, Queen Sugar
Moderated by Dr. Rosanne Welch.

Event Sponsored By

Liza Donnelly is live-drawing and tweeting the Athena Film Festival — Valerie Woods and Ken LaZebnik of the Stephens College MFA in TV and Screenwriting

One of the best parts of my gig as Executive Director of the Stephens College MFA in TV and Screenwriting is sending very good friends like Valerie Woods (@vcwoods24) to very good festivals like the 10th Annual Athena Film Festival!

Liza Donnelly is live-drawing and tweeting the Athena Film Festival

Master Screenwriting with Valerie Woods and Ken LaZebnick. @Athenafilmfest #athena2020 @netflix @stephenscollege pic.twitter.com/BH6ak7xtNI

— Liza Donnelly (@lizadonnelly)

February 29, 2020

Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.

Visit Stephens College MFA in TV and Screenwriting for more information.Follow @StephensMFA on Instagram

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Valerie Woods, Stephens College MFA in TV and Screenwriting Mentor, Speaks at the Athena Film Festival

The Stephens College MFA in TV and Screenwriting is always proud to help sponsor the Athena film festival. This year we were happy to send mentor Valerie Woods to discuss her career and love of writing.

Val’s ability to share that love makes her a treasured mentor in our program.

Storytellers and film fans discussed skills and strategies during an #Athena2020 Masterclass on Writing with writer/producer @vcwoods24, moderated by @KenLaZebnik and sponsored by @MFAscreenwriter. pic.twitter.com/GrNwXvZNjC

— Athena Film Festival (@Athenafilmfest)

February 29, 2020

Questions about the Stephens College MFA in TV and Screenwriting?

Leave a comment here or email me, Executive Director, Dr. Rosanne Welch and I’ll be happy to answer your questions.

Visit Stephens College MFA in TV and Screenwriting for more information.Follow @StephensMFA on Instagram

Follow and Like the Stephens College MFA in TV and Screenwriting