Rosanne Reads At Paperback LA Event in Echo Park – November 7, 2019

I had a great time joining fellow authors at the first reading for Paperback LA, the anthology series that published my article about the writers of The Monkees — so I’m super excited to appear at a second event celebrating the series. And it’s a chance to experience another bookstore in LA.

I hope you can join me,  my fellow authors and our intrepid editor, Susan La Tempa, on Thursday November 7th at Stories Books and Cafe on Sunset Blvd in Echo Park.

Rosanne Reads At Paperback LA Event in Echo Park - November 7, 2019

The critics call Paperback L.A. “Genius!” and “incredibly fun” but they’re understating the pleasures of this new school “casual anthology.”

Join us to toast and hear from incredible L.A. writers with stories about all sorts of things–1920s books, 1960s street racing, 1960s TV writers, 1980s plumbing — all set in L.A. Featuring contributors from all three volumes: Victoria Dailey (L.A.’s Early Moderns), Jim Gavin (Middle Men), Lou Mathews (L.A. Breakdown), Rosanne Welch (Why the Monkees Matter), and series editor Susan LaTempa.

Amenities: eat and drink on the premises; beer & wine served 5 p.m. to close; parking lot behind store.

Rosanne Reads At Paperback LA Event in Echo Park - November 7, 2019

Reading at the Paperback LA Launch Party

 

Quotes from When Women Wrote Hollywood – 49 in a series – “…leading lady in the Selznick scenario department.”

Do you know about these women screenwriters? Many don’t. Learn more about them today! 

Buy “When Women Wrote Hollywood” Today!

Quotes from When Women Wrote Hollywood - 49 in a series -

The Morning Telegraph (NY) report April 17, 1921: “Sarah Y. Mason has returned to Hollywood after a year in New York as a leading lady in the Selznick scenario department. She has just completed an original story for screen purposes and has orders for several continuities. However, Mason contrives to divide her time equally between screen and society.”

The Six Degrees of Sarah Y. Mason and Victor Heerman
by Pamela L. Scott


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Rosanne Hosts Panel — Privileged Characters: How to recognize and avoid implicit bias in your screenwriting — at DTLA Film Festival, Sunday, October 27, 2019

This Sunday at 4pm join me at the DTLA (Downtown LA Film Festival)! 

I’ll be moderating a panel on implicit bias in screenwriting. “Privileged Characters: How to recognize and avoid implicit bias in your screenwriting” will take place at the Regal Cinema at LA Live. Panelists will include Maria Escobeda, one of the Stephens MFA in TV and Screeenwriting’s favorite mentors, as well as representatives from the worlds of entertainment journalism, marketing and theme parks – all of whom need to understand this idea in order to reach – and succeed – with customers from all over the world. — Rosanne

Dtla logo

Date/Time: Sun, October 27, 2019 @ 4:00 PM
Running Time: 60 Minutes
Location: Regal LA Live MEZZANINE

Panel Description

Privileged Characters: How to recognize and avoid implicit bias in your screenwriting

How do writers recognize and avoid implicit bias in their work? In this panel we review examples of how implicit bias infects popular shows and movies — even now in the wake of the Black Lives Matter, #MeToo and #TimesUp movement.

We’ll also learn about the tools and techniques available to combat implicit bias in the written word.

Finally, we’ll tackle the prickly question of writers who can authentically create characters and stories that are intrinsically about people who demographically different from them?

More Information

Panelists

Beverly Gray

Beverly Gray has spent her career fluctuating between the world of the intellect and show biz. As she was completing her doctorate in Contemporary American Fiction at UCLA, she surprised everyone (including herself) by taking a job with B-movie legend Roger Corman, for whom she helped develop 170 low-budget feature films. Following her Corman years, she covered the movie industry for The Hollywood Reporter. She has also published the best-selling Roger Corman: “Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers”, as well as “Ron Howard: From Mayberry to the Moon . . . and Beyond”. Currently, she teaches advanced online screenwriting workshops for UCLA Extension’s internationally-known Writers’ Program, and her popular twice-weekly blog, “Beverly in Movieland,” covers movies, moviemaking, and growing up Hollywood-adjacent. Her most recent book is “Seduced by Mrs. Robinson: How The Graduate Became the Touchstone of a Generation.”
 
Maria Escobedo

Maria Escobedo is a film and television writer with credits including “Grey’s Anatomy”, Hulu’s “East Los High” and the indie film “Rum and Coke”, which she wrote and directed. She’s developed movies and pilots for Lifetime, Disney Channel, and Nickelodeon. She also has written for animated kids’ TV, including “Dora the Explorer”, “Go Diego Go”, “Elena of Avalor”, “Special Agent Oso” and “Nina’s World”, which earned her a Humanitas Award nomination. Escobedo is currently writing for Amazon’s “If You Give a Mouse a Cookie”, Netflix’s “What-To-Doodles” and Nickelodeon’s “Santiago of the Seas”.

Hanala Sagal

Hanala Sagal, screenwriter-producer of “Elvis & Nixon” (Tribeca Film Festival 2016 Centerpiece), starred on “Shape Up L.A!” as Suzan Stadner (1985-2000.) Her brand is Comedy Wellness: Content for a Better Tomorrow and Funnier Today, trending on YouTube with 500M views and 400K subscribers. Hanala is in development on “Traumaland” (dark comedy, feature) based on her best-selling memoir “My Parents Went Through the Holocaust and All I Got Was This Lousy T-Shirt” featured in “The Last Laugh” starring Mel Brooks.
 
Donna Bonilla Wheeler

Donna Bonilla Wheeler is a Peruvian-American film + theatre writer/director who began her film career writing and directing for Walt Disney Productions Theme Parks. Her original screenplays have been selected as Academy Nicholl Fellowship semi finalist/quarter finalists, IFP No Borders, Austin 2nd Rounders, and Slamdance Script Labs, among others. She sold her experimental short about the creative process, “Mind’s Eye” at the Cannes film market. She received the Grand Jury Prize, Narrative Short for her dramedy film, “The Girl Next Door” at Mystic Film Festival, and her family comedy/mystery she wrote and directed, “Death of a saleswoman” has received global recognition at multiple festivals. Donna is a fiscally-sponsored 501c3 filmmaker, working in the Latinx, LGBTQ+ diversity spaces.
 
Kala Guess

Kala Guess is a marketing professional at Final Draft. She acts as both Contest Director for the Big Break Screenwriting Contest and Content Producer for the Final Draft blog and “Write On” podcast. As part of her focus on the customer experience, she produces engaging and insightful content for screenwriters and operates as a champion for emerging talent. Additionally, Kala is a driving force in Final Draft’s efforts for diversity and inclusivity in the entertainment industry. Previously, she worked as the marketing and publicity coordinator for an independent film and television studio in Hollywood. Kala has a decade of experience in various capacities in the entertainment industry.
 
Evette Vargas

Evette Vargas is an award-winning writer, director, producer and immersive storyteller. Named by the New York Times as an “Artist to Watch,” Vargas’ has produced series for Amazon, MTV, Bravo, DirectTV; and interactive content for Fast And Furious, Lord Of The Rings trilogy and Madonna. Vargas executive produced, wrote and directed her digital series Dark Prophet, starring Henry Rollins, which was in contention for two Emmys. Vargas sold her drama series, Muses, to TNT Super Deluxe. Vargas is creating a drama series for MGMTV with Marc Guggenheim and Rosario Dawson serving as executive producers. Vargas wrote The Current War VR Experience, a companion piece for the film, starring Benedict Cumberbatch. A proud member of the WGA, ATAS and PGA, Vargas was born in the Bronx and learned to tell stories at the dinner table where the imagination ruled. Vargas collects action figures, typewriters and shoes; has past lives as a DJ, a fashion designer and is a recovering New York City advertising Art Director.

22 Octavia Butler from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (46 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

22 Octavia Butler from The Sisterhood of Science Fiction - Dr. Rosanne Welch [Video] (46 seconds)

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This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

…and we had a marvelous presentation about two weeks ago on Octavia Butler right? So moving now moving further and further into the 90s. Octavia Butler the first African-American female to be successful writing science fiction. We had a presentation here from the curator of her papers at the Huntington Library because she lived in Pasadena. So she’s a local to California and a lot of her stuff was infused with sort of the attitudes and the progressive ideas that we tend to be surrounded by here. She won a MacArthur Fellowship again the first science fiction writer — not a person of color and not even a woman — the very first science fiction writer ever to get a MacArthur grant which is a huge piece of support to creative people and artistic people so I think that’s really cool.



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Demonstrating My Usual Exhuberent Presentation Style 😀 via Instagram

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Demonstrating My Usual Exhuberent Presentation Style 😀

Demonstrating My Usual Exhuberent Presentation Style 😀

The 10th Screenwriters´(hi)Stories Seminar was so enjoyable.



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First Screenwriting Research Network Executive Council Meeting

I’m so honored to be a part of this international group of screenwriting academics – who plan by far the best conference I’ve ever attended each year. — Rosanne

Screenwriting Research Network Executive Council Meeting

First meeting of new Executive Council yesterday – spanning 18 time zones!!! Got the ball rolling for the new academic year and picked up suggestions from last month’s AGM. Minutes to follow soon on the SRN website.

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Opening Reception, Screenwriting Research Network Conference, Porto, Portugal via Instagram

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Mackenzie Institute In Sao Paolo via Instagram

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Mackenzie Institute In Sao Paolo.

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My host for the 10th Screenwriters´(hi)Stories Seminar Keynote.



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From The Journal Of Screenwriting 4 : Influences on story development in transnational pan-Arab dramas: A case study of the series 04

Highlighting the articles in the latest edition of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Influences on story development in transnational pan-Arab dramas: A case study of the series 04
Fadi G. Haddad

Despite the growing research interest in the transnational nature of the Arab World’s television industry, screenwriting in the Arab World has received little academic attention. Moreover, while the media plays a major role in shaping the ‘narratives of identity’, the reality of television drama production is as much about cultural, economic and political influences as it is about aesthetics. Set within a unique interpretation of the theoretical context of the ‘Hierarchy of Influences Model’, this article aims to explore to what extent the routine practices in screenwriting govern the artistic decisions taken at the level of the screenplay development of transnational pan-Arab dramas (Arabic: al-drāma al ‘arabiya al-mushtaraka). Taking ‘04’ (Zero Four) as a case study, a pan-Arab drama produced by the Saudi-owned UAE-based MBC television that tells the story of four young expatriates from four different Arab nationalities living in modern-day Dubai, and through in-depth interviews with the show creators, the article attempts to present an example of novel screenwriting practices in the Arab World between single authors and writers’ room.

Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



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Mentoris Project Podcast: Leonardo’s Secret: A Novel Based on the Life of Leonardo Da Vinci with Author, Peter Myers

The latest podcast is about Leonardo Da Vinci and is now available on the Mentoris Web Site. Give it a listen and Subscribe for More! — Rosanne

Mentoris Project Podcast: Leonardo's Secret: A Novel Based on the Life of Leonardo Da Vinci with Author, Peter Myers

Mentoris Project Podcast: Leonardo's Secret: A Novel Based on the Life of Leonardo Da Vinci with Author, Peter Myers

Read Leonardo’s Secret: A Novel Based on the Life of Leonardo Da Vinci

Listen Now

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More than a painter…

Renowned artist Leonardo da Vinci was the greatest genius to ever conquer the worlds of art, science, and philosophy. Writing backwards to protect his knowledge, da Vinci epitomized creativity and eccentricity.

Despite being plagued with frustrations and failures, da Vinci was spurred to create, invent, research, and write no matter the cost. By exploring his sorrows and joys, da Vinci’s world is uncovered. And with it a five-hundred-year-old secret is released: the hidden truth of Leonardo da Vinci. 

 


About the Author

Myers has sold, written for hire, or optioned ten theatrical feature scripts and has done a number of rewrites for indie film and TV producers. Two short films, a stage play, and numerous TV public service announcements have been produced from his scripts.

His produced projects include nine Chapters in Black American History, the drama/comedy The Pickup, his half-hour suspense drama, Double Cross, as well as Speak To The World, a pilot for an interview show.

One of Myers’ comedy feature scripts won an Honorable Mention at the Thunderbird International Film Festival Script Competition.  

He has judged scripts for UCLA’s Master of Fine Arts Screenwriting Showcase and has been a regular panelist at the West Coast Writers Conference.  His advice to screenwriters is part of Tarcher/Penguin’s anthology, NOW WRITE! Screenwriting: Exercises by Today’s Best Screenwriters, Teachers and Consultants. 

Mentoris Project Podcast: Leonardo's Secret: A Novel Based on the Life of Leonardo Da Vinci with Author, Peter Myers

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Also from the Mentoris Project

Want to use these books in your classroom? Contact the Mentoris Project!`

24 Mae West from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 5 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

24 Mae West from

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Transcript:

Of course, most people know her. Mae West. Again, she made herself a brand, long before Madonna and long before Lady Gaga this lady knew that sex sells and I’m going to make myself as sexy as I can and I’m going to tell innuendos and I am going to do all of that so that she actually got arrested a few times. People remember Mae West as an actress and forget that she wrote almost everything she performed in. Broadway plays. Movies. Stage shows. She was her own writer. She would talk about how easy it was to write but people who did her autobiography discovered that she had journals and journals and journals of every joke she could ever write — that she could ever find. She wrote all day long waiting to get that one or two really good pieces to use in her next production. She was consummately a writer before she was a performer. All she had to do to perform was throw on the fancy clothes and smile, right, but the writing was the hard work that she engaged in. She was pretty cool. These are all her movies. She did sex before Madonna released a book called “Sex.” This is way back in the day when it was actually against the law. So she’s pretty amazing.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


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