movies – Page 7 – On Screenwriting and Media with Dr. Rosanne Welch

32 Binging TV with Torchwood from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

I think the first binging I ever did. I didn’t think I’d be a fan of that because I’m fine with weekly making an appointment to see a show, but, again, I mentioned I’ma huge Doctor Who fan. I’ve written some chapters in Doctor Who books, too. In fact, There’s a new one coming out. I got to write about Jodie Whittaker’s first two years as the female Doctor and I loved that, but when Doctor Who had a spin-off called “Torchwood” and its third season was only five episodes and it was one whole arc story and I started to watch that one night at 8, 9 o’clock and thought I’d just watch a couple. I know it’s five episodes. I’m not going to binge the thing and after the second one, I was up until three in the morning. I had to see how it ended. Russell Davies. One of my favorite writers in the UK.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

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With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

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03 Jeanne Macpherson & Suso Cecchi d’Amico From Jeanne to Suso to Julie to Spike: How Jeanne Macpherson’s Manual on Screenwriting Influenced Italian Realism which Influenced Black Independent Film in the U.S. [Video]

Transcript:

So she wrote just a little bit in this piece that was published all about her theories of screenwriting. Many other women of the day had written in this and what’s interesting is Emilio Cecci came to the states to study how Hollywood did film so he could bring that to Cine Citta and make some money in Italy and he had a daughter named Suso Cecchi d’Amico and she became the core screenwriter in the world of Italian Neo-Realism. She remembered in many interviews that she had read this booklet, as she described it, and that what she kept in mind were these things that Jeanne had said about screenwriting – the three elements: The crucial moment. The beginning of new and the end of the first one. Seems pretty basic but these people were thinking how do we make movies work and so this was new ideas to them. So it’s a woman taking information from another woman mentoring her into how she will run her career in an entirely different country. Which also I think is lovely to fit into in Claus’s theme and she remembered that for many years she was interviewed and there were oral histories done of her and she always kept going back to this one thing she’d read from Jeanne Macpherson which I think is beautiful.

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At the recent Screenwriting Research Network conference in Vienna, I gave this talk titled “From Jeanne to Suso to Julie to Spike: How Jeanne Macpherson’s Manual on Screenwriting Influenced Italian Realism which Influenced Black Independent Film in the U.S.”

In the talk, I trace the ways a manual about screenwriting by silent film writer Jeanne Macpherson influenced Suso Cecchi d’Amici who began to utilize Macpherson’s ideas and became the queen of Italian neorealism screenwriting in Europe. Then those Italian neo-realist screenwriters in turn inspired the Los Angeles School of Black Independent Film Makers (the L.A. School). In turn, such as Charles Burnett, Billy Woodberry, Haile Gerima, and Julie Dash and their ideas fueled Spike Lee. Finally, when he became the first Black man to head the jury at the Cannes Film Festival (where Suso had once served) his choice of films influenced yet another generation of screenwriters.

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15 We Quote Dialogue, Not Camera Moves from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

I kind of pick on Hitchcock because it’s Joan Harrison who wrote several of his films and got an Oscar nomination for “Rebecca” right, but you don’t think about Joan Harrison movies. You think about Hitchcock movies right and so that to me is really unfair and there’s also this concept that in the world of Hollywood, directors are so masculine – since mostly men did that– and the writers are like the girls of the town right? They’re the female part of the team. The heart versus the brawn and that’s really stupid because artists – male or female – are more sensitive that’s why they’re artists. That doesn’t mean they should be considered any less in the hierarchy of the creation of this story. For me, they should always be considered more because when you quote movies you’re quoting dialogue. Those are your favorite lines and the writer is the one who did that.

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories. Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that. Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”.

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras. If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. —

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As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

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31 Mystic Popup Bar and Binging TV from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Host: We’ve got a question here. Where can we view “Mystic pop-up bar”. I think it’s on Netflix.

Rosanne: Netflix. It’s on Netflix. Please find it. You will find it beautiful and you might have to watch a couple just to get to understand. It’s not hard to understand – obviously, it’s subtitled – but I mean story-wise it seems light, which is fun, and then it gets more and more – and not dark or sad – but more and more heartfelt without being schmaltzy. If that makes sense. It just yeah it’s 12 episodes I think and just I couldn’t – in the last four I had to do a whole binge thing. I had to know then how they were all connected and I just – my heart just was like this is so beautiful and then it was over. It’s a limited series. I was like no I want more.

Host: I’ve been – these limited series do stress me out because you can you smash through them in one – one Sunday if you’ve got the day. If you’ve got a day, you’re having a day of rest you know you can sit there and watch four or five four or five episodes. I did that with the first “True Detective”. I think I did that with the Queen’s Gambit and just ran through these things and now I’m kind of like, I think I’ve seen all the Oscar and all the Oscar nominees. So I’m now waiting for you wonderful writers to get some more stuff out there.

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With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

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02 Who was Jeanne Macpherson? From Jeanne to Suso to Julie to Spike: How Jeanne Macpherson’s Manual on Screenwriting Influenced Italian Realism which Influenced Black Independent Film in the U.S. [Video]

Transcript:

So we’ll start back with Jeanne McPherson. This is Jeannie McPherson and yes that’s a picture of her with Cecil B Demille. So this is mostly where you see her photographs in the world. She was also an aviator and several years ago at a conference, I saw a marvelous presentation on how women are always there at the beginning of a new thing like the Wild West and women aviators in America and all over the world were doing flying until it became a job that made money and then suddenly women couldn’t be hired to fly anymore and you had to have had experience in the military, where they hadn’t allowed women to fly. So suddenly you couldn’t be a pilot anymore and certainly couldn’t be an astronaut until they broke that rule. So same thing happened in early Hollywood. All these women are working like crazy and then suddenly it becomes the system and they’re all slowly petered out. Often it was because the movie Moguls offered them new contracts – after 20 years of working as screenwriters and being their own directors and casting – they were offered contracts as Junior writers to work with men who would teach them how to do it and to that they said: “I’m going home and writing my own novel.” So they and they didn’t know that by doing that they pulled themselves out of the history and therefore we’re archaeologically discovering all of them.

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14 More On Writer Vs. Director from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

There is a classic Robert Riskin story. He’s the guy who wrote all the Frank Capra movies and it’s and anecdotal – the idea that one day he got so mad about the “Capra Touch.” They handed in 200 blank pages and he said ‘Go ahead. Put your touch on that.” Because you can’t direct nothing, right? So there’s a lot of reasons why in the Forties-ish we start getting these celebrity directors and the problem with teaching directors as the heads of their movies is that, largely, they were men. So we’re teaching the great, male history of the world again when many of those stories were written by women.

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Find more information at the Autry Museum of the American West

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30 More On International Opportunities from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Rosanne: … because now we also understand other parts of the world that the United States TV market was kind of shut to because we only showed our own stuff and some of the “best” stuff from the UK on our PBS channels, right, and now we’re seeing so much more of the world. Which is also just helpful – going back to what we said about art making us all more human.

Host: Definitely. Yeah. An understanding of humanity when we can hear people’s perspectives and hear them tell their own stories.

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With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

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01 Introduction From Jeanne to Suso to Julie to Spike: How Jeanne Macpherson’s Manual on Screenwriting Influenced Italian Realism which Influenced Black Independent Film in the U.S. [Video]

Transcript:

…The woman I’m going to start with is Jeannie McPherson who is also a famous silent film screenwriter of that period. As famous as Marion was in her own day. Forgotten much in the history books because she wrote for Cecil B. Demille. She wrote all the films that he made that made money. She was also one of his three mistresses and so textbooks tell you she was his mistress and they forget the part where she wrote the movies that made him money. Yes. So I love Jeannie and I borrowed this title from this play which I love “Vanyan and Sonya and Masha and Spike.” It just seemed to suit me perfectly but I wanted to credit the author. I did not make up the title. I’m Rosanne Welch. I am working with Stephens College which is in Missouri but we run our MFA programs in Los Angeles. So it confuses everybody because I live in LA. I don’t live in Missouri. Our theme of our program is Write, Reach and Represent which of course suits everything that everyone’s been talking about today. I’m very excited about that. My background is that I came from being a television screenwriter and wrote on all these shows and then came into Academia and was like how are people learning how to do this because not everybody’s very good at it and then I’ve written on these various Books. Thank you for mentioning “When Women Wrote Hollywood” which has chapters on Jeannie and many of these other women we can talk about. I also am the book review editor for “The Journal Of Screenwriting” so if you want to review a book – you have a book that needs reviewing – let me know because we always need more reviews all right. So that’s a good thing and we’re here doing Global Screenwriting.

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From Jeanne to Suso to Julie to Spike: How Jeanne Macpherson’s Manual on Screenwriting Influenced Italian Realism which Influenced Black Independent Film in the U.S. (Complete)

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The ‘Strongheart’ of Screenwriter Jane Murfin – Dr. Rosanne Welch, Script Magazine, September 2022

Before there was the Lady Gaga remake of A Star is Born there was the 1937 original A Star is Born, written by Dorothy Parker (see Column #3 in this series). Before that, there was What Price Hollywood? (1932), written by Jane Murfin (and Adela Rogers St. Johns) which earned a Best Writing, Original Story nomination for the two female screenwriters at that year’s Academy Award ceremony.

Few Hollywood history books ever reference the name Jane Murfin even though she wrote and co-wrote and directed over 60 produced films in a career spanning over three decades and was a founding member of the Screenwriter’s Guild. She was one of the most prolific writers of the 1920s and ’30s.

Read The ‘Strongheart’ of Screenwriter Jane Murfin

Read about more women from early Hollywood