Read So Much More than Merely Her Chocolate Cake Recipe
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On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Read Before Peanuts, Alice Guy Blaché Presented the First True Meaning of Christmas Film
Read about more women from early Hollywood
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Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Read From Silents to Talkies to TV Lenore J. Coffee Did It All
Read about more women from early Hollywood
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63 New Perspectives on 163 Classic DOCTOR WHO Stories by 163 Writers
While I am quite proud of all the larger publishers I have worked with I also deeply enjoy supporting smaller presses and their niche work – especially when it comes to writing about shows I’ve loved for a long time. That’s what ATB offers every time they email me about another book in their “Outside/In” series.
They publish “thoughtful non-fiction books that explore the history of pop culture with insightful and entertaining commentary from a diverse array of writers, authors, and editors”. So far I’ve had essays in their books on the original Star Trek (on the episode ‘This Side of Paradise’) and in the book on Buffy the Vampire Slayer (on the episode ‘Hush’). My latest is an essay on the ‘Kings Demons’ episode of the Peter Davison era of classic Doctor Who.
These are funny essays to write – and read – for deep, deep fans of these shows and it’s been fun to be involved.
Though she never wrote a horror film, to celebrate Halloween this month’s focus is screenwriter, poet, and Pulitzer Prize-winning author, Zoe Akins, born on October 30, 1886. In 1935 Akins would become the third woman to win the Pulitzer Prize for Drama, the highest honor for a Broadway play in the United States, after Zona Gale (1921) and Susan Glaspell (1931). Akins’ win came from her dramatization of Edith Wharton’s The Old Maid. Four years later the play was adapted by Casey Robinson into a film starring Bette Davis, even though Akins had begun adapting plays and turning out her own screenplays in the early 1930s. Throughout her career, she collaborated with some of the most important women both behind and in front of the cameras which has kept her work in the public eye.
Read Poems, Plays, Pulitzers: Screenwriter Zoe Akins Did it All
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We’re excited to have opened the window for applications to our Stephens College MFA in TV and Screenwriting’s Fall 2024 cohort.
While we have rolling admissions until all seats in the new cohort are filled. If potential MFA candidates submit materials by March 30th and suit the criteria they will be in contention for our Jan Marino Scholarship (for a woman writer 45 or older).
Check out our new video with interviews with our most recent grads:
Inquire for more information on the program
or
Apply Now
Being a low residency program means you travel to Hollywood for 10 days at the beginning of each semester (once in August/once in January) for a workshop experience worth 3 units. We hold workshops at the historic Jim Henson Studios (originally the Charlie Chaplin Studios) in Hollywood, California.
Each semester students will take 3 courses after the workshop. They have one mentor for a television script and one mentor for a screenplay. The television mentors change each semester because in Fall semester you write a spec script/in Spring a pilot; the screenplay mentor is onboard for the whole year, as the Fall semester is all about developing an outline and writing Act One of the screenplay, and in the spring semester you complete and revise the script. Our instructors are all chosen because they are working writers and members of the Writers Guild of America (WGA).
In year two, there’s a second screenplay written (with a different mentor) and a thesis project, which can be anything from a web series to a limited series pilot and bible to a group of short films to an actual written thesis.
Our History of Screenwriting Courses are taught with a female gaze. Taught by our Executive Director so she can stay in touch with MFA candidates across their 2 years in the program. In the course, students read texts and view films each week that feature female-focused stories, and then post responses to the material. At the end of each semester, students turn in a profile of a screenwriter.
In 2017, 22 of these profiles written by MFA students were compiled into the book WHEN WOMEN WROTE HOLLYWOOD, published by McFarland Press.
If you are a writer looking to move your material to the next level so it will secure you a spot in the industry – or a college educator who wants a graduate degree to move up in the academic world – then our program is perfect for you.
Join us in Fall 2024 in Hollywood!
While it was a pleasure to host the Screenwriting Research Network’s 2023 conference last week. I love reconnecting with all the folks we see annually in such wonderful places in the world (from Leeds to London to Dunedin to Milan). But the other great thing about this event was the chance to share the Stephens College campus in Columbia, Missouri with everyone. This article in the Columbia Tribune covered the conference’s opening night reception and interviewed some of our international guests so it gives you a lovely feel of who was there and why we gather annually:
Screenwriters and academics converge on Stephens College for international conference
Screenwriters and screenwriting academics are gathering at Stephens College through Saturday for the Screenwriting Research Network Conference with the theme Gender and the Female Gaze.
A reception for conference participants was Wednesday night in the penthouse of the college library.
Participants are from at least 15 countries, said Roseanne Welch, executive director the Stephens’ Master of Fine Arts in TV and Screenwriting. Stephens College is a private women’s college in Columbia.
The female gaze refers to seeing life through women’s eyes, Welch said.
“We’re seeing that happen in all kinds of recent films, not just ‘Barbie'” Welch said.
Women’s stories were more complicated in the films of the 1930s and 1940s, she said.
“There were these complete stories with women anti-heroes,” Welch said.
International Screenwriting Conference coming to COMO
September 20-23 event will highlight female influence on film, television industries
Some of the biggest behind-the-scenes stars of television and motion pictures — the screenwriters — will converge on the Stephens College campus in Columbia from September 20-23 for the 15th Annual Screenwriting Research Network Conference.
Focused on the theme “Gender and the Female Gaze,” the three-day conference will bring an international collection of film professors and practitioners from Finland, France, New Zealand, Brazil, Italy, the United Kingdom, Germany, and other countries to Columbia. Attendees will get the chance to learn from experienced screenwriters, attend exhibitions, and network with other screenwriters.
Keynote speakers include Columbia native Phil Lazebnik, who has written screenplays for films including Pocahontas and Mulan, and Meg LeFauve, who was nominated for a Best Screenplay Oscar for the Pixar blockbuster Inside Out. Along with the keynote speech, LaFauve will appear for a Q&A after a public screening of Inside Out at Ragtag Theatre on Saturday, September 23.
Read the entire article – International Screenwriting Conference coming to COMO
While I was on the Stephens College campus a couple of weeks ago for the Screenwriting Research Network conference I had the pleasure of appearing on the She Served, Too radio show hosted by Elizabeth Herrera.
A military veteran, Herrera also runs the Stephens College Mission Promise Kept program. Together we spoke about the many military women whose stories have yet to be told on the big (or small) screen including the Mercury 13. Herrera was kind enough to let me talk about the Screenwriting Research Network conference we were holding on the Stephens campus that week and, of course, about the many military women who have dome through our Stephens College MFA in TV and Screenwriting and how telling our stories helps us heal – whether we turn them into scripts or not it’s the act of talking and being heard that heals.
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She Served Too
Every 3rd Tue at 5:00 PM With Elizabeth Herrera
Host Elizabeth Herrera has served in the United States Air Force, non-profits, and managing crisis care centers for women. On her show She Served Too, she discusses current issues from her unique perspective.