On Screenwriting and Media with Dr. Rosanne Welch – Page 186

10 Randy Scouse Git and the War from How The Monkees Changed Television [Video] (0:53)

What this entire presentation — How The Monkees Changed Television with Rosanne Welch, PhD (Complete Presentation and Q&A) [Video] (45:06)

Rosanne Welch, PhD, Author of Why The Monkees Matter, presents “How The Monkees Changed Television” at a Cal State Fullerton Lunch Lecture on May 8, 2018.

In this talk, she shows how The Monkees, and specifically their presence on television, set the stage for large changes to come in the late 1960s.

Transcript

This is a song that Mickey’s famous for singing. He wrote it while he was in England. He heard this phrase — Randy Scouse Git — He didn’t know what it meant. He just thought they were funny words. It’s actually — it’s cussing in English. It was from a TV Show that is the TV show that, in America, we based All In The Family on, rights so it was older man yelling at his son-in-law calling him a randy scouse git. Randy means you have too much sex and scouse git are bad words. He just thought they were funny words so he came back and wrote this song, but think about the lyrics…

Why don’t you hate who I hate
Kill who I kill to be free

If that’s not a Vietnam protest war song I don’t know what is and they got away with singing that on broadcast television in their very trippy hippie clothes. So I couldn’t believe how much they got away with frankly in terms of messages.

Why The Monkees Matter: Teenagers, Television and American Pop Culture

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

About Rosanne Welch, PhD

Rosanne Welch, PhD is a writer, producer and university professor with credits that include Beverly Hills 90210, Picket Fences, Touched by an Angel and ABC NEWS/Nightline. Other books include Why The Monkees Matter: Teenagers, Television and American Pop Culture (McFarland, 2017) and Women in American History: A Social, Political, and Cultural Encyclopedia and Document Collection (ABC-CLIO, 2017), named to the 2018 Outstanding References Sources List, by the Reference and User Services Association (RUSA), a division of the American Library Association. Welch has also published chapters in Torchwood Declassified: Investigating Mainstream Cult Television (I.B.Tauris) and The American Civil War on Film and TV: Blue and Gray in Black and White and Color (Lexington Books, 2018) and essays in Doctor Who and Race: An Anthology and Outside In Makes it So, and Outside in Boldly Goes (both edited by Robert Smith). By day she teaches courses on the history of screenwriting and on television writing for the Stephens College MFA in Screenwriting programs. Her talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP is available on YouTube.

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Quote from “America’s Forgotten Founding Father” by Dr. Rosanne Welch – 21 in a series – Preparing for America

The Grand Duke gave Filippo one final warning that he was making the move during a particularly tumultuous time in the colonies.

Correspondence between Royals all over Europe crackled with worry about how King George handled the colonies and what other colonies belonging to other empires might learn from the protests then going on in America.

Due to his friendships with Franklin and Adams, and the correspondence he himself had begun with Thomas Jefferson over questions of farming in Virginia, Filippo knew much about the thoughts of the colonists.

From America’s Forgotten Founding Father — Get Your Copy Today!

Order an autographed copy of America’s Forgotten Founding Father

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Also from the Mentoris Project

Want to use these books in your classroom? Contact the Mentoris Project!`

When Women Wrote Hollywood – 14 in a series – Eve Unsell

To highlight the wonderful yet largely forgotten work of a collection of female screenwriters from the early years of Hollywood (and as a companion to the book, When Women Wrote Hollywood) we will be posting quick bits about the many films they wrote along with links to further information and clips from their works which are still accessible online. Take a few moments once or twice a week to become familiar with their names and their stories. I think you’ll be surprised at how much bold material these writers tackled at the birth of this new medium. — Rosanne Welch

When Women Wrote Hollywood – 14 in a series – Eve Unsell

Eve Unsell (December 6, 1879[1] – July 6, 1937) was an American screenwriter. She wrote for 96 films between 1914 and 1933.[2] She was born in Chicago, Illinois, and died in Hollywood, California. Eve was an American scenarist who was known to also use the pseudonym Oliver W. Geoffreys as well as E.M. Unsell. Eve was married to a man named Lester Blankfield, but the year is disputed. Records list their marriage year as 1911, but it does not match up with other documentation. Eve Unsell was a professional in her career as a scenarist, overcoming many challenges along the way. Eve wrote for over 96 films in her lifetime, and edited over ten. Some of her most famous screen writes turned into productions include Shadows (1922), The Ancient Mariner (1925), The Plastic Age (1925), and The Spirit of Youth (1929). Although she was most famous for her work in scenario writing she can also be given credit as an adapter, company director, editor, play reader, screenwriter, theatre actress, and writer. She helped in the writing of many novels as long as editing many different pieces from literature to theatrical writing. — Wikipedia

More about Eve Unsell

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† Available from the LA Public Library

My Next WGA Foundation Panel Discussion: It’s a Funny Story: A Conversation with Women TV Comedy Writers, August 10, 2018

I am very excited to be moderating another panel at the Writers Guild Foundation on…

“It’s a Funny Story: A Conversation with Women TV Comedy Writers” on Friday, August 10, 2018

with these fascinating female writer-creator-artists:

Njeri Brown from black-ish and Dear White People
Natasha Leggero and Riki Lindhome from Another Period
Christine Zander from Loosely Exactly Nicole, Kevin From Work, 3rd Rock from the Sun,and Saturday Night Live
Gail Parent from The Golden Girls, and The Carol Burnett Show AND author of one of those books I was forbidden from reading when I was in middle school, but read anyway: Sheila Levine is Dead and Living in New York.
Moderated by Dr. Rosanne Welch (Touched By An Angel, Picket Fences, Beverly Hills, 90210)

This is going to be FUN! Hope you can join us!

Get Tickets

From the Writers Guild Foundation

“We could all use a good laugh. Fortunately, we can all unwind with an abundance of outstanding television comedy shows that are available at the click of a button. But comedy isn’t just for the jokes anymore: an increasing number of shows tackle universal problems and surprisingly navigate us through our challenging world. And as writers rooms continue investing in diverse talent, the voices you hear from your television take on fresh perspectives.

Join The Writers Guild Foundation in partnership with Stephens College MFA in TV and Screenwriting for a discussion surrounding how women television comedy writers got their start, how they use their experiences to inform their work, and the challenges they face in the writers room.”

Speaking at American Association for Advancement of Science (AAAS) Pacific Regional Conference – “From Atoms to Applications”

My talk was Pedagogy of the Flipped Classroom

Watch the Entire Presentation

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21 Strong Female Companions In The Past from Gender Diversity in the Who-niverse [Video] (0:51)

Watch this entire presentation: Gender Diversity in the Who-niverse: Paving the Way for a Lady Doctor with Dr. Rosanne Welch [Video] (36:58)

For her 5th Doctor Who lecture to the CPP community, Dr. Rosanne Welch discusses how society – and the show’s writing staff – prepared the audience for a major change in this 50-year franchise – the creation of the first Lady Doctor!

Transcript:

She really wants people, of course not, to be upset or worried about it. Which is important. Now, as far as I’m concerned when you think about gender, females have always been strong characters on Doctor Who. Going back to the early days and all these women have had really important jobs. From the very beginning, Susan, who was the first companion, his granddaughter, left because she wanted to rebuild the planet that she had seen destroyed. So she wanted to put her efforts into helping other people and using her talents for that. Right? She could have continued adventuring and having a party with her grandpa and all that meeting The Mayans, The Aztecs and what have you, but she wanted to do something more important and that’s a strength, right? I think that’s a woman who has active strength being shown. Then, as I mentioned, Agent Sara Kingdom. She switched sides. So she chose the good. So she’s a little bit like Darth Vader flipping at the end finally.

Follow Dr. Welch on Twitter and Instagram
https://twitter.com/rosannewelch – http://instagram.com/drrosannewelch

Rosanne Welch, PhD

Rosanne Welch PhD teaches the History of Screenwriting and One-Hour Drama for the Stephens College MFA in Screenwriting.

Writing/producing credits include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. In 2016 she published the book Why The Monkees Matter: Teenagers, Television and American Pop; co-edited Women in American History: A Social, Political, and Cultural Encyclopedia; and placed “Transmitting Culture Transnationally Via the Characterization of Parents in Police Procedurals” in the New Review of Film and Television Studies. Essays appear in Torchwood Declassified: Investigating Mainstream Cult Television and Doctor Who and Race: An Anthology. Welch serves as Book Reviews editor for Journal of Screenwriting and on the Editorial Advisory Board for Written By magazine, the magazine of the Writers Guild.

Watch Dr. Welch’s talk “The Importance of Having a Female Voice in the Room” at the 2016 TEDxCPP.

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More on Mazzei: Clips from the stage play, Zealous Whig by Paul Manganello (2011)

This series will focus on material I found while researching my book, America’s Forgotten Founding Father: A Novel Based on the Life of Filippo Mazzei.

While I only used a portion of my total research, there are a host of little tidbits of information on this amazing man which I wanted to share here. — Rosanne.

I came across his video was I was first doing my research for the book. It only makes sense that someone found Filippo as interesting as I had. Take a look! — Rosanne

More on Mazzei: Ciips from the stage play, Zealous Whig by Paul Manganello (2011)

From the floor of Congress, Mazzei discusses fraternity, the pursuit of happiness, and the year 2011.

From “Zealous Whig”
Written and performed by Paul Manganello
Sound design, lighting design, videography and graphic design: Colin Fulton
Original music: Marc LeMay
Dramatic consultant: Neal Kelley

“Zealous Whig” unearths the true story of America’s Italian founding father. Filippo Mazzei came to America in 1773 after meeting Benjamin Franklin in London. He became a close friend, collaborator, and next-door neighbor to Thomas Jefferson, and contributed to the Declaration of Independence. Mazzei returned to Europe in 1783 expecting a US consular post, but was disappointed. He died in obscurity in Pisa in 1816.

Order an autographed copy of America’s Forgotten Founding Father

Print Edition | Kindle Edition | Apple iBooks Edition | Nook Edition

Want to use this book in your classroom? Contact the Mentoris Project!

Douglas, Rosanne, Lexi and Linda at Paradise Cove — Follow Me On Instagram

Douglas, Rosanne, Lexi and Linda at Paradise Cove

Family visiting from Ohio gave us an excuse to head to the beach.

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New Podcast: Nobody Listens to Paula Poundstone – Check it out!

Check out comedian (and friend to the Stephens College MFA in TV and Screenwriting program) Paula Poundstone’s new podcast Nobody Listens to Paula Poundstone. She’ll be holding entertaining and engaging conversations as she interviews experts in various interesting fields.

GUESTS
Mario Soto- Sports Psychologist
@mariosportsdoc

Melissa Brandzel – Grammarian
@MediaChickEdits

John Grab – Trombone
John doesn’t have a large social media footprint, but he often plays with The Orchestre Surreal

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During this inaugural episode at 19:45 you’ll hear a great add for our Stephens College MFA in TV and Screenwriting – between funny conversations first with sports psychiatrist Mario Soto followed by grammarian Melissa Brandzel. In Paula’s typical style she’s funny off the cuff, finding different comic ways to interpret the helpful tips offered by her experts.

I also noticed this fun request on their website…

“We need a theme song! We launched this show without a theme song, and are turning to YOU, dear listener, to find one. If you have a tune in your head that you think should kick off our show each week, please reach out to us via our website.” So if you’re a local musician, check it out – and leave them a comment if you happen to be an expert in some fun field. Maybe they’ll have you on the show!

Visit the Nobody Listens to Paula Poundstone Web Site to subcribe via iTunes or your favorite Podcast program

Find out more about the Stephens College MFA in TV and Screenwriting