history – Page 38 – On Screenwriting and Media with Dr. Rosanne Welch

17 Representation from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

Transcript

I think inclusive writer’s rooms, obviously, create more inclusive stories. I happen to adore Torchwood. I’m a big Russell Davies fan and I love the stories he tells about how, when he came to create the show, he created a female police officer whose husband stayed at home and took care of the house and the baby and he hadn’t seen enough of that on television. So he provided that in the story and as they went through you got many more characters of color, characters from other backgrounds. it definitely shows, right? And He, I go to interview him, as I said, for Written By and he said it was a very difficult thing to watch people watch television seeing how badly so many were represented. So, his rooms have always been about representation.

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03 Inside The Writer’s Room Part 2 from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

Transcript:

The best thing I learned was that everybody has their own different way. You can’t try and copy somebody else or it’s just like a bad tv show that’s a rip-off of a ripoff of a ripoff. You know it and it’s very doesn’t have any emotion or passion to it. So it was really important to learn that you’ve got to do it your way and you’ve got to get better at it. You can’t be that shy person in the corner waiting for someone to offer you a turn that’s never going to happen because a room full of writers is a room full of performers and they’re all wanting to tell you their story. So they’re not going to turn around and say and what do you think about that? So you have to be comfortable doing that. So it was a really good lesson. I really say of course that is the jumping-off job for television writers. You need to get a job as an assistant because you need to study that little world before you dive into it because then you won’t know the people management part of it. You might be a really good writer — and that happens to a lot of people — but if you can’t manage the people aspect, you’re not going to be successful in the writer’s room.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

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Frances Goodrich Hackett (and Her Husband, Albert) Wrote Themselves a Wonderful Life, Dr. Rosanne Welch, Script magazine, June 2021

You have watched countless films written or adapted by Frances Goodrich Hackett. She has four Academy Award nominations for screenplays AND a Pulitzer Prize. Yet I bet you didn’t know her name until now. True to the title of one of her most enduring creations Frances had A Wonderful Life. Yep, she (and her writing partner and husband Albert Hackett) developed that beloved film from the bare bones of a postcard.

Though she was born in 1890, Goodrich found herself in an atypical family — one that accepted the idea of the theatre as a career — and she lived an atypical life for a woman of that era. Goodrich married three times (with the third to Albert being the charm that lasted over 50 years). When Goodrich showed an interest in the stage after her graduation from Vassar in 1912, her father arranged for her to join the Northampton Players stock company in Massachusetts. There her performances convinced her father that she should move to New York where she quickly earned bit parts on the Broadway stage.

Eventually, she started writing plays and asked a fellow actor, ten years her junior to read her script, give her notes, and help her on the rewrite. The play was Up Pops the Devil and the younger actor was Albert. When Metro-Goldwyn-Mayer studios offered the Hacketts a six-month writing contract at $750 per week in the midst of the Great Depression, they jumped on the steady money and made the move to Hollywood.

Like Wonderful Life the other stories the Hacketts brought to American films have made an indelible mark on our culture. They earned an Academy Award nomination for their adaption of the Edward Streeter novel Father of the Bride which became so entrenched in American memory it — and the sequel they also wrote– were remade in the 1990s for Steve Martin and Diane Keaton to headline (screenplay by then-also-married-screenwriting-couple Nancy Meyers & Charles Shyer). Few high school or college students graduate without once watching the film the Hacketts adapted from their own Broadway play, The Diary of Anne Frank (for which they earned a Pulitzer).

When Frances and Albert approached their first adaption – bringing The Thin Man (written by Dashiell Hammett) to the screen in 1934 — Nick and Nora Charles became synonymous with the emerging ideas of equality in modern marriage. Film studies have long held that the detective couple were patterned after Hammett and his companion, playwright Lillian Hellman. According to The Real Nick and Nora By Frances Goodrich & Albert Hackett, written by their nephew David L. Goodrich the relationship of Nick and Nora as it appears on film is in fact more closely connected to the relationship of the Hacketts.

Their marriage made their written work deeper and more sophisticated and whose shared work lives made the marriage stronger and more capable of lasting fifty-three years (ending only in Goodrich’s death in 1984.) In fact, as Nick and Nora are often referred to as the screen’s most beloved couple, Frances Goodrich Hackett and her husband Albert were often described as the “most beloved couple in Hollywood”.

Read Frances Goodrich Hackett (and Her Husband, Albert) Wrote Themselves a Wonderful Life on the Script web site

Read about more women from early Hollywood

The Civil War On Film – 36 in a series – “Hattie McDaniel, who would not be allowed in the segregated theater where the film premiered.”

Local politicians and MGM publicists alike planned a gala three-day celebration that involved all the major cast members except Leslie Howard, who had returned to England when he heard his home country had declared war on Germany, and Hattie McDaniel, who would not be allowed in the segregated theater where the film premiered. Another African American was present, though his fame would not come until later in life. Martin Luther King Jr., then a ten-year-old member of his father’s church choir, sang four spirituals at the gala.

Movies profiled in this book:

16 Vida from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

With the full recording of “How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

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Transcript

In the case of this show on Starz, Vida, it’s the story of three LatinX women in Los Angeles who had moved away but come home when their mother dies and they discover that they’ve inherited a bar and the bigger discovery is that they’ve co-inherited it with their mother’s lesbian lover. So, now they’ve learned their mother’s a lesbian and they own a bar and they’re living in a part of LA that is going under gentrification. The entire show is staffed by female LatinX writers and so having a room that is entirely inclusive of the people on the show has been very special to them. Whether or not they are missing other perspectives, I can’t say, but that’s an experience that’s making it an open place for them to tell their stories, which is very important. Queen Sugar is a director-led writer’s room. Ava Devernay, who’s done several films, she now ran the show, she created it and she brought in a team of writers who are in charge. So now she’s — everything comes from the visual with her and you have to start with the visual when you tell a story. She has hired someone else to run the room, but they’re thinking of her desire as they do it. So that’s important.

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Where’s Her Movie? Educator/Publisher, Charlotta Bass – 24 In A Series

“Where’s HER Movie” posts will highlight interesting and accomplished women from a variety of professional backgrounds who deserve to have movies written about them as much as all the male scientists, authors, performers, and geniuses have had written about them across the over 100 years of film. This is our attempt to help write these women back into mainstream history. — Rosanne

Charlotta Amanda Spears Bass (February 14, 1874[1] – April 12, 1969) was an American educator, newspaper publisher-editor, and civil rights activist. She also focused on various other issues such as housing rights, voting rights, and labor rights, as well as police brutality and harassment.[2] Bass is believed to be the first African-American woman to own and operate a newspaper in the United States; she published the California Eagle from 1912 until 1951.[3] In 1952, Bass became the first African-American woman nominated for Vice President, as a candidate of the Progressive Party.

Due to her activities, Bass was repeatedly accused of being part of the Communist Party, for which there was no evidence and which Bass herself repeatedly denied. She was monitored by the FBI, who continued to view her as a potential security threat up until she was in her nineties. — Wikipedia

02 Inside The Writer’s Room from Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

Transcript:

I did. I did live in several writer’s rooms both as an assistant before I was a full-time writer and then as a writer, so i saw it in both ways through both perspectives. How are those perspectives different? When you’re an assistant, of course, you’re very wrapped up in I’ve got to get down everything they’re saying and make sure we know who told the funny joke or whose idea was the one we went forward with and you’re very focused but you’re also listening to how they banter ideas about and who gets paid attention to and how you learn how to run a room and it doesn’t just mean when you become the show running you’re going to run the room but when you’re pitching an idea, you are truly performing and making sure the other people in the room are focusing in on you. So I got to watch different people do that in their own different way.

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“A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi” – 40 in a series

Garibaldi visited Three Hummock Island, off the south coast of Australia in Bass Strait, then traveled to Australia and its nearby neighbor, New Zealand. Birds and marine animals Giuseppe had never seen swarmed the port in Otago Harbor. Looking through his binoculars he watched albatross fly over the boat and estimated their wingspan at nearly 11 feet, something he could barely believe. He watched them fly over to the nearby hillside and land, feeding their chicks in huge nests more gently than some people he had known treated their own children.

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Mentoris Project Podcast: Building Heaven’s Ceiling: A Novel Based on the Life of Filippo Brunelleschi with Author, Joe Cline [Audio]

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His greatest accomplishment came after his greatest disappointment.

One of the founding fathers of the Renaissance, Filippo Brunelleschi was more than an Italian designer. Brunelleschi made his mark in architecture and construction.

In his early years, sculpting was Brunelleschi’s passion. But after being passed over for a major commission, he set his sights on architecture, and changed the landscape of Italy as it is known today.

Brunelleschi’s most prominent contribution, the dome of Cathedral of Santa Maria del Fiore, was the first of its kind, paving the way for bigger and more elaborate domes to come. His invention of machines to facilitate the construction of the dome allowed future structures to not only be imagined, but to be erected as well.

With his imagination, understanding of linear perspective, focus on geometric principles, and intellect for mathematics, Brunelleschi influenced the rise of modern science and architecture worldwide.

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The Civil War On Film – 35 in a series – “Lincoln wasn’t always popular.”

Lincoln wasn’t always popular. His presidency was contentious even in the North, as the contested 1864 presidential election suggests, and most white southerners reviled him. David H. Donald, one of Lincoln’s many biographers, contends that the sixteenth president did not take on heroic, even mythological status until the early twentieth century (Donald 1969).

Movies profiled in this book: