Dr. Rosanne Welch – Page 17 – On Screenwriting and Media with Dr. Rosanne Welch

05 Women and Westerns from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

Host: So when we think about westerns in particular which seems like such a male-oriented genre – The cowboy is such a looming figure in that genre – how do we see them differently when we focus on the stories that women wrote or that are less often told?

Rosanne: Certainly the difference is that when we think of a female-focused story versus a male-focused story – and this is unfair to young boys and to men – we teach men in our literature – in our drama, in our movies – we teach them that the only way for them to succeed is to master a particular weapon – which, of course, in the west is a rifle, it’s the pistol, it’s the gun – and take on the bad guy all alone. We’re doing “High Noon” and it’s me and you, that’s it. If I die the whole world falls apart and that’s a lot of pressure to put on one character. Whereas female stories are generally centered in I have come to this new place with a bunch of other people. We are a community and we must all rise together. We must all help each other.

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories. Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that. Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”.

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras. If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. —

What this entire presentation

As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

Find more information at the Autry Museum of the American West

Podcast: Play in new window | Download

Subscribe: RSS

“The Iron Mask” Costume, Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

Follow me on Instagram

Visit The Hollywood Heritage Museum

20 “The Godfather” from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Host: Let’s hear a few of your other favorite movies in general but let’s do it from a screenwriter’s perspective. What other movies do you think have been the best written?

Rosanne: Well you have to credit this although it is both the author and the writer/director. “The Godfather.” In the movie – if it comes on tv I can’t wherever it is when I flip to that channel although no one flips anymore, but you know, I can’t – I have to keep watching. Everything about that movie to me is perfect. Now the novel is quite perfect but there’s much in the novel that didn’t make it into the film, which i miss, but you only know that if you know the book but it’s so tight and it’s so beautifully – the story of a family and one of the things that I teach my students is that drama is about making decisions and “The Godfather” is entirely about one man who made one decision. I’m not going to follow my father and life won’t let him do that. So then he doubles down and makes the other decision that if I’m going to then I’m going to be the most powerful one and I’m going to save his empire instead of leave it.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Podcast: Play in new window | Download

Subscribe: RSS

Creature from the Black Lagoon Costume, Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

Follow me on Instagram

Visit The Hollywood Heritage Museum

14 Obituaries Are Unreliable Narrators from When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues [Video]

Nearly two years ago I had the pleasure of being invited to join a panel at the then upcoming SCMS (Society of Cinema and Media Studies) conference set for Seattle. As you know that was canceled due to Covid with the hopes of reconvening in Colorado in 2021. That became a virtual conference but our group decided to reapply our panel and we four were able to ‘meet’ on Zoom on Sunday and present: Writing Between the Lines: Feminist Strategies for Historical Absences, Cliché, and the Unreliable Narrator.

Here you can watch a clip from my part of the presentation,

“When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues in Oral Histories”

Transcript:

To be fair, it does happen to male screenwriters sometimes. Nunally Johnson is the one who adapted ‘The Grapes of Wrath” and John Ford, who directed actually wrote in a book that he said, “You know people are credit this particular shot with my genius but you wrote it down in the scripts.” Right? And Nunally was like, ‘I don’t know who’s going get the attribution but I know I wrote it and that’s all that matters.” So, he didn’t particularly care but his name disappears so badly that obituary writers are terribly unreliable narrators. When Nunally Johnson’s wife died – she was the actress Dorris Bowden who played Rose O’Sharon in The Grapes of Wrath – they called it John Ford’s Grapes of Wrath and they said that she left acting after she married that film’s screenwriter. They took his name out of his wife’s obituary. Who’s more important in her death? Her husband or the guy who directed a movie she did fifty years ago? Clearly think about that and she herself was very proud of how John Steinbeck had talked about Nunally Johnson’s writing because he was so brilliant. So to erase him out of her obituary is ridiculous.

Watch this entire presentation

Podcast: Play in new window | Download

Subscribe: RSS

Vintage Film Cameras, Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

Follow me on Instagram

Visit The Hollywood Heritage Museum

23 The Voice of the Character from The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years [Video] [Doctor Who]

It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.

It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!

Transcript:

So it was a real like getting to know the voice of a character and a character that has had similar but slightly different voices across all 50 years. They all have had their own way of doing things and their own sort of idioms. I think that’s really delicate but that line really stuck out to me and you just can’t imagine thinking your way through it so long and then I think this is really important because it keeps us with the theme – the overarching theme – of the series which is really about pacifism and about really attempting to bring peace to the universe, not war. Even though of course David comes back from the time war and all that stuff but I think keeping that in mind and allowing a female character to bring forward that idea. In a funny way I’m a huge fan of Robert Redford and all that sort of thing and “The Way We Were” is one of my favorite romances and the idea that there was the Barbra Streisand character – ban the bomb, pushing for pacifism. It’s a woman is always trying to say let’s not go to war first let’s get to the solution because I don’t want to see all the people I know get hurt. So I think that’s very true not just that she’s a female character but it’s Doctor Who. That’s the job right? So we try to do it without a gun. Sometimes they show up but they really don’t belong there. They really don’t belong there.

Watch this entire presentation

Podcast: Play in new window | Download

Subscribe: RSS

14 Owen Harper from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today.

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

RMW Rosanne Signature for Web

Transcript:

…and then Owen was an interesting character. I mean he could be your bland white guy except he wasn’t a nice guy necessarily and they had to put up with him because of his talent and he had to learn and grow. So I think he was an interesting character. He’s not the most interesting of all of them. The fact that he had a relationship with Tosh says a little bit about him right? So it’s not the best character but he was you know i mean if he had to have a second white guy he was okay but here’s where i start thinking about the writing makes the show stand out.

Watch this entire presentation

Podcast: Play in new window | Download

Subscribe: RSS

New History Book: Eleanor Roosevelt: A Life in American History by Keri F. Dearborn, Edited by Dr. Rosanne Welch and Dr. Peg Lamphier.

Buy at Your Local Bookstore | Bookshop.org | Amazon | ABC-CLIO

It’s time to celebrate the latest book in our series to be published – Keri Dearborn’s Eleanor Roosevelt: A Life in American History landed on my doorstep yesterday and I couldn’t be more excited to read it (even though I’ve already read it to edit it). It comes on the tail of my having watched The First Lady series on Showtime which we hope has interested a new generation in the life and times of this amazing woman.

As with all of our authors in the series, Keri’s research was fascinating to follow – my favorite new fact was learning (thanks to the release of new primary documents) that the scientists who talked to FDR about the Manhattan Project weren’t able to make an appointment with the president – but one of them was in a social club with Mrs. Roosevelt and used that connection to talk to her first. She’s the one who told FDR he had to meet with them.

Those are the great details all of our authors have found (or are still finding in the books that are being completed in the next year or so). We thank the authors whose books have been published (covering Ruth Bader Ginsburg, Gloria Steinem, Hilary Clinton, and Helen Keller) – and look forward to the ones yet to come which cover the lives of Wilma Mankiller, Ida B. Wells, Sally Ride, and Delores Huerta.

Women Making History Series Description

Women Making History is a series of single-volume books that examine the lives and historical impact of the most iconic figures in American Women’s history.

Books in the Women Making History series explore the lives and contributions of important women in American history. Each volume goes beyond biographical details to consider historical context and explicitly discuss the world in which the individual lived and worked, the challenges she faced, and her lasting contributions. This approach allows readers to explore not just the life of a particular woman but also her various political, social, cultural, and historical contexts. In addition to chronological chapters, sidebars, a timeline, document excerpts, and a bibliography, an introductory chapter explores the cultural and historical significance of the individual and places her in the overall historical context, as well as how her actions, beliefs, or positions influenced not only women’s history but history as a whole.

See the entire series on the ABC-CLIO Web Site

04 More On Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

…and then this unreliable narrator thing is a new thing I learned when I got involved in academia and that’s when you look at the interviews that happen with the men who founded Hollywood, they forget to mention the women who did it with them or they mention women without mentioning their names. One of my favorite sad examples is a woman named Jeanie MacPherson – who wrote several westerns under Cecil B DeMille – and you know if students study film history they’ve all heard of Cecil B. DeMille and they rarely hear of Jeanie MacPherson but on almost any movie he made that made money, she wrote it but she died young and he lived on another 30 years and he did an oral history and when they asked him about working with her he said she wasn’t a great writer. I kept her around because she needed a job but I did most of the work and that’s what goes down in the history books because she didn’t get to tell her side and so to me that’s the saddest part of this, is they disappeared and nobody – they didn’t even know they were going to disappear

Host: I think that will be familiar to a lot of people from a lot of different perspectives those types of those types of stories.

What this entire presentation

Find more information at the Autry Museum of the American West

Podcast: Play in new window | Download

Subscribe: RSS