My simple philosophy…
Words Matter.
Writers Matter.
Women Writers Matter.
On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.
Transcript:
I do teach at Stephens College which is located in Missouri but we teach low-residency so they do everything online but they come to Hollywood — which is where I live — for 10 days twice a year and that’s a lovely thing. It’s at the Jim Henson Studios so there’s Kermit saying hi to you when you come in. Very lovely and very welcoming to see Kermit every morning. I have a teaching philosophy which is pretty simple. Words matter. Writers matter. Women writers matter. Thank you very much. Yes Indeed. We haven’t thought about women a lot over the years and I do. One of the things I think we need to think about — this is a Facebook post that I saw the other day and – how words can be misused. So I don’t want to get too political on you. I’m coming from a place where there’s a lot of politics going on, as you can imagine, but think about how these words were misused right? Take a little second. Your brain will wrap around the mistake in these words. Think about it you could have written that a different way but they had an opinion they wanted to put out, right, so words are important.
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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
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“We cannot accept slaves into our ranks,” Texeira insisted. Since the beginning of the war enslaved Afro-Brazilians had run from Brazil as it was a slaveocracy, hoping to fight for Rio Grande del Sol and then to join the new republic and create a home that disavowed slavery. Though rebelling against Brazil, many Rio Grandean leaders still believed in the sanctity of private property and so neither condoned recruiting runaways nor cared to arm or train Afro-Brazilians.
I’m proud to announce the next panel I’m moderating with the Writers Guild Foundation for our Stephens College MFA in TV and Screenwriting — Act Two: Transitioning to TV Writing from Other Careers
The WGF may have hit a pause on our live events, but thanks to technology, we’re aiming to provide more access to advice and knowledge from film and TV writers while we’re all social distancing. Over the last few months, we’ve been hosting free Zoom panels about craft and all things relevant to writers.
For this session, we team up with Stephens College MFA in TV and Screenwriting for a discussion on transitioning to TV writing from other careers. Learn how our panel of TV writers and producers made the jump to television, how their previous experiences inform their writing, and how that lens impacts their approach in the writers room.
Panelists:
Panel starts at 4:00pm Pacific time.
Space is limited so RSVP now. After signing up, you’ll receive information on how to access the Zoom panel.
If you have any questions, please feel free to reach out to us at events@wgfoundation.org.
For anyone who was unable to RSVP for the panel, we will record and post it at a later date.
This new “A Woman Wrote That” post is an echo of the Writers Guild campaign of a few years ago (“A Writer Wrote That”) where they noted famous movie quotes and credited the screenwriter rather than the director. The difference here being that we will be posting lines from films written by female screenwriters. Feel free to share! — Rosanne
WAVERLY: “You don’t know the power you have over me. One word from you, one look, and I’m four years old again.”
Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.
Transcript:
As Paolo said — so I won’t spend a lot of time on it — these are the shows –these are the books I’ve done. Sorry. Largely a big Doctor Who fan. Any Doctor Who fans in the house. Really we’ll talk a little bit about the writing of that. It’s quite a brilliant show, I think. These are most of the things I’ve done. Also, love Torchwood has also been quite well done. I am the book review editor, so if you’re Masters students — when you graduate — you can email me, and if there’s a book you’d like to have for free — because they don’t pay you to write in journals — you can review the book and I’ll have it sent to you so you can do that and it’s a credit for you so it’s a lovely thing and Written By Magazine is the magazine of the Writers Guild. You can read this online for free if you go to writtenby.com. You go to WGA, which is our website for the Writer’s Guild, and every two months or so it comes out. Always interviews with writers and showrunners, movie film writers, people like that, so it’s really I think an excellent thing it’s like having a guest speaker come to you and very in-depth interviews, right? We’ll talk about some of them that I’ve done over time.
Watch this entire presentation
Subscribe to Rosanne’s Channel and receive notice of each new video!
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
Podcast: Play in new window | Download
Subscribe: RSS
“Do you knit as you sleep, as well?” Giuseppe teased, due to her swift progress. Anita knitted as she alternated between walking and riding horseback. For herself she had fashioned a red wool cape over a white peasant blouse that billowed around her neck. As she finished the last stitch on the poncho she had designed for him, she handed it proudly to Giuseppe. He draped it over his head and across his shoulders. The varying colors of the stripes across the chest gave the piece a distinguished look that made Anita smile.
Join our low-residency MFA in TV and Screenwriting to share in our mission of bringing more female and underrepresented voices into mainstream media.
Between 1908 and 1910 filmmakers released seventy Civil War films, and another hundred by 1916. The earliest films were pro-Union, or at least featured a Union victory, but in 1909 southern theater owners began to complain about Northern bias. Filmmakers saw a market for pro-southern movies.
Movies profiled in this book: