35 Finding The Time To Write…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

35 Finding The Time To Write...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Host: I mean how do you — how did you do it? How do you practice on your schedule? Do you like time limit yourself. You’re like, oh like one month or like one week to do three acts or something like that.

Rosanne: Well you get into a pattern when you do it. I mean the Writers Guild offers two weeks to write a script. That’s what if you’re a freelance writer they have to give you two weeks to go home but when you’re on a staff they expect you to write it in one week. They expect you to be able to write 10 to 15 producible pages a day. So that’s where you have to get yourself to if you’re really going to take it seriously. So yeah this took two months. This takes one month and you get it down to three weeks and two weeks and the best you can. You have to find the times a day that works for you. Some people are night writers. I am not but some people can work really great from 10 in the evening till two in the morning and then sleep from three to ten right? Okay then you have to know that and then you need to build a day job that allows you to do that right because that’s gonna do the most work. Some people — I go from like 6 am to like 2 p.m and then I make phone calls and do other kinds of email work and stuff like that because then I sort of run out of my creative excitement or whatever. So I have to make sure that I don’t do anything else until later. I don’t take meetings or do things like that until later in the day. If you don’t do that when you finally approach your computer to start writing something, it will take you so much longer and it will be so much more frustrating that you won’t get to the point you want and you might turn away right? So you have to be in a comfortable place to do that and you know this town is full of different kinds of jobs you can make work for that whatever is the time frame that you need.

 

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

27 The Fuller Biographies from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

27 The Fuller Biographies from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Tammy: So do you want to talk about some of the biographies and stuff that originated after she passed and how you know those versions of her might like the older versions the contemporary versions might not be so accurate?

Rosanne: I think that’s very true and of course, as you said earlier that’s true in so much of our history. Someone decided what we should share, what was acceptable, and you could — I think from Emerson’s point of view, I understand that he wanted people to love his friend. So he was he was filtering out what he thought would get in their way of understanding how great she was but then of course the next guy reads that book and only reports that much and that much. I mean it’s true also of the various iterations of the Diary of Anne Frank. Her father only lets certain things out because he didn’t want people to know that she sometimes wrote that she was mad at her mother because that was the woman he loved and he wanted you know and then later people have added those things in to say but here’s the real picture. It doesn’t mean she was a terrible little girl. It just means every teenager goes “my mom is making me crazy” It just gives her the more humanity to know all those dimensions and I think, yes, that’s what’s missing in these early biographies and we have to go back and really look at her writing — what exists — and then analyze that to get a sense of who she was but I think her activities tell us that. So teaching for Bronson Alcott tells us she was okay with an inter-racial group. She thought that you know desegregation was the proper thing to do. We wouldn’t do that. You could work for somebody else. You could tutor for anybody. You chose that job and you knew it was controversial and other people would judge you by it.

 

23 More on The Bradley Cooper Version…from “Female Creatives & A Star Is Born” [Video]

22 The Bradley Cooper Version?...from

Transcript:

In this scene, and these are quotes from Bradley Cooper as he was making the film he’s being interviewed right, he says he’s on stage trying to support her but his demons won’t let him right? So we still have the debacle but it’s not because he wants to ruin her night. He’s trying to be there to support her and then it’s embarrassing and terrible and sad and also he says that at the end of the movie, she’s just starting right and what she’s going to create is going to be bigger than what we’ve seen prior. That means her movie isn’t this movie — that her movie is the next one which will never be made. That means this is the Jackson Maine story and that’s not what I signed up for. I signed up for the star — the female star — being born. So I think that’s a huge change that he as a male writer has brought to this franchise. You look at the writing credits, right? So if Bradley wrote it with this guy Will Fetters. If you go to the Writers Guild when you have time when it’s open again in the library, they have a copy of the first draft and if you read it to compare to the film that you saw in 2019 you will be shocked because it is not brilliant. It is this guy who’s an Academy Award winner for Forrest Gump and I think he has two Academy Awards, Eric Roth who came in to do the rewrite that really molded the piece but he’s taking the ideas that Bradley Cooper had which are to focus more on Jackson Maine’s character. They base themselves on the Moss Heart screenplay, right? So by the time we’re done with this Dorothy’s name has finally disappeared entirely even though all the bones of it are really still there and really still her if you ask me.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



Watch this entire presentation

09 Other Desilu Shows From Women in Early TV for the American Women Writers National Museum [Video]

09 Other Desilu Shows From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

…and those programs include some very very popular shows. The Andy Griffith Show — still in reruns today as well and something that we know in television history for a million reasons including the fact that this young man grew up to be Academy Award-winning director Ronnie Howard right? So this was an amazingly iconic show that people still recognize and reference today. Obviously The Mod Squad — very fresh and new thing for the 60s. So she had a good eye — Lucille Ball had a good eye for what would sell and what was progressive and moving forward right? Isn’t that interesting? She captured both the past and the present in the ideas that she put forward and of course, Mannix was just basically an iconic detective show. However, also think about the progressiveness of it. His “girl Friday” was an African-American woman and she was a working woman, right? Who had a real position in his company and she was very intrinsic to what he did. So that’s a pretty amazing step forward again all coming out of Lucy’s creative ideas. Yes to this no to that. These are the shows she said yes to including, I like to say, a little show called Star Trek right?

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

34 More on Creating Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

34 More on Creating Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

26 An Italian In America? from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

26 An Italian In America? from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

 

It makes perfect sense that she would have been testing the waters for all of it because she’s also married to a foreigner, right, and a Catholic and Catholics were not accepted in the country at that time either because of you know loving the Pope and all that stuff. So she probably was. I would say it’s probably that her son probably wasn’t necessarily — didn’t necessarily have darker skin because Giovanni comes from one more northern part of the country and we probably at that time we weren’t as discriminatory because Italy was kind of part of Europe and France and then you know Lafayette was a good guy and we’re sort of immigrants. Yeah. I don’t think it’s — it happens in the early 1900s because that’s when the great mass of unwashed poor folks show up and we want to put them to work in our crummy jobs and our seamstress factories and things like that and the guys are working on the railroad but yeah…

All the immigrants. And you know and the problem is or the luck the privilege is we assimilate so that we look white which of course is bullshit. There’s no such thing as white. It makes me crazy. Caucasian you know. I always tell students caucasian is the dumbest word in the world because there’s no land of “cauc.” It’s literally the dude right the dude who studied all the skulls to do the hierarchy of all the different ethnicities. He thought the prettiest skulls came from the people who lived in the Caucus mountains of Russia and so he qualified them as Caucasian but that’s not a thing, right?

 

Mike Flannagan and “Midnight Mass”: 11 years in the making

Midnight mass

If you haven’t seen this short 3 minute ‘featurette’ where Mike Flannagan explains the impetus for writing the show “Midnight Mass”, it’s worth your time. 

Most importantly, he discusses how he started writing the script in 2010 (so it took 11 years to become what it became); that he thought it would be a movie first until he realized how deep the story should be; and that it came from a scary “what if” question he had in his own life. 

This short conversation is a great look into the mind of a writer (even if you haven’t watched the show and might not even intend to because horror scares you….the lessons are all still evident in this conversation).

22 The Bradley Cooper Version?…from “Female Creatives & A Star Is Born” [Video]

22 The Bradley Cooper Version?...from

Transcript:

Now I tend to call this the Bradley Cooper version and as Jacob asked me”Do I like it?” I like it to the extent that I like the bones of this story but because a male wrote it, and had two other male screenwriters rewrite him, it becomes his story. It becomes the Jackson Maine story. We have much more focus on his character, his backstory, and while giving a female superstar one name seems modern, in many ways it erases part of her own history. What is her actual last name right? A female character without a last name is not one who’s been thought through all the way, I would say in reading a script. So in this case, we focus so much on his backstory. So much about his own family. It’s his brother that’s part of the story. So much is more about the star who’s dying than the star who is being born in this movie. She doesn’t really have the same agency. Certainly not that Barbra Streisand gave her character. Really not that we had out of Julie or Janet either.

Watch this entire presentation

Connections at conferences matter! Through the most recent SCMS, I met Vicki Callahan, whose film history focus right now is on Mabel Normand. When she learned I could put together a lecture on the importance of the female voice in the A Star is Born franchise she asked me to give that lecture to her master students.

It made for a great opportunity for me to hone the ideas I’m working on for a chapter on that franchise that I’m writing for a new book from Bloomsbury: The Bloomsbury Handbook Of International Screenplay Theory. It’s always nice when one piece of research can be purposed in other ways – and it’s always fun revisiting such a female-centric film franchise – one that drew the talents of such powerful performers as Janet Gaynor, Judy Garland, Barbara Streisand, and Lady Gaga.

Find out why in this lecture!

RMW Rosanne Signature for Web



Watch this entire presentation

08 Lucille Ball From Women in Early TV for the American Women Writers National Museum [Video]

08 Lucille Ball From Women in Early TV for the American Women Writers National Museum [Video]

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves.  It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

RMW Rosanne Signature for Web

Transcript:

The trick about Lucy is that most people think she was just an actress and a comedian and a funny person but maybe if you read Desi Arnaz’s book you’ll learn that she actually was one of the first women to run a television production studio and that was Desilu — obviously a combination of Desi’s name and Lucy’s name. They started that company to run I Love Lucy. He was quite brilliant. We have to give him some props. He was the person who thought we should film this program not put it on earlier versions of tape which disappeared. Which is also why we don’t know some early women in the business because their work disappeared but because Desi was smart enough to say let’s put this on film and let our production company own the product, they of course then were one of the first shows to rerun and that was a moneymaker for them as they randomly ran as we know many many years but lucy was the Vice President. Imagine that. They invented the company together. He’s the president. She’s the vice president. Why aren’t they co-presidents? Nobody asked that question because men were supposed to have the higher title right and yet she was Lucy right? She’s the engine behind all of this. Her job was particularly to do the creative work. He did the business work and he was brilliant at that we want to give him all the props he deserves but she made the choices about what other programs their production company would support.

Many thanks to Janice Law of the American Women Writers National Museum who invited me to give a short talk on The Women of Early TV.

I enjoyed sharing the names and careers of women like Peg Lynch, Gertrude Berg, Selma Diamond, and D.C. Fontana to the members who gathered on Zoom last Wednesday morning. There are so many more I could have talked about whose names don’t appear in mainstream books about the history of television so we have to learn who they are and carry those names forward ourselves. It’s one of the missions of the Stephens College MFA in TV and Screenwriting – and has been one of my missions all my life.

Watch this entire presentation

 

Women pioneers who created, produced, or shepherded many of America’s most wildly popular, early television programs will be profiled by Dr. Rosanne Welch.

Get your copy today!

33 Create Your Own Network…from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

33 Create Your Own Network...from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

Rosanne: …which is also what I say to students both in internships and within classes. You’re not going to call Steven Spielberg and become his best friend to get a job but somewhere in your group of friends that you’re all connecting with right now one of you is going to go become Steven Spielberg and that you’re all then going to stay connected to each other and help each other move up.

Host: That’s yeah as far as networking goes, I think that’s probably one of the best pieces of advice you can give to someone. It’s like understand that everything — it’s you know, it’s the right thing to be nice to people and cultivate relationships but also it’s almost like you’re moving up with your generation. Like everyone rises up together…

Rosanne:… exactly and you will immediately kick off your you know the end of your boot anybody who you don’t want to be around.

Host: That’s also true.

Rosanne: Yeah because they’ll just get in your way and they’re not going to help you. As long as you’re the kind of person who wants to help other people and with their ideas with you know doing writer’s groups together, reading each other’s scripts out loud, going to Q and A’s in town and then you know talking about the thing you saw afterwards. Running into other people at those events and you know hey let’s all get together and have a meet up two weeks from now at such and such a pizza place or a coffee house or a bar whatever it is. Building those relationships because that’s you know you’re the next generation of assistants who are the next generation of writers or executives or whatever people choose to be.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.