05 Margaret’s Education from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

05 Margaret's Education from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

 

Tammy: …and it got her all over the place.

Rosanne: It did and I often compare her — when i’m talking to students about her — I compare her to John Quincy Adams, right, who at 10 was translating his own father’s paperwork and knew five or six languages and he’s going to be like — in my opinion — our smartest president. So she’s on par with him but not given the opportunities.

Tammy: Exactly and even in her day she was known as the most widely read woman in America and she talked her way into the Harvard library even though she couldn’t actually attend Harvard you know and she made sure that she could get the education that she wanted. She must have had this like internal drive and curiosity that just kept her going throughout her life.

 

From The Journal Of Screenwriting V5 Issue 2: ‘Screenwriting research: No longer a lost cause’: A keynote presentation at the SRN Conference 2013 by Jill Nelmes

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


‘Screenwriting research: No longer a lost cause’: A keynote presentation at the SRN Conference 2013 by Jill Nelmes

The article discusses the past, present and future of screenwriting research from a somewhat personal viewpoint, being US and UK in its focus, partly because of my own lack of knowledge of the researchers in other countries in the ‘dark’ years. Yet the pioneering writers and, more recently, the creation of the Screenwriting Research Network and the Journal of Screenwriting have all encouraged the exchanging of ideas and the realization that there are many of us interested in the same subject. More recently the area has proven to be exciting and dynamic with a diverse range of high quality research from many countries.

From The Journal Of Screenwriting V5 Issue 2: ‘Screenwriting research: No longer a lost cause’: A keynote presentation at the SRN Conference 2013 by Jill Nelmes


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

Jeanie MacPherson – The Genius Behind DeMille — Dr. Rosanne Welch, Script magazine, August 2021

 Jeanie MacPherson - The Genius Behind DeMille -- Dr. Rosanne Welch, Script magazine, August 2021

Script contributor Dr. Rosanne Welch shines a light on Jeanie MacPherson, a trailblazing screenwriter from the silent era who would eventually come to write a bulk of famed Hollywood mogul Cecil B. DeMille’s box office hits.

As with many other female Silent Era screenwriters Jeanie Macpherson began her career as an actress (appearing in over 147 films). Then she became a writer/director at Universal (writing 54 films) and eventually met Cecil B. DeMille, for whom she would write the bulk of his box office successes. In 1927, Macpherson became one of only three women, the other two being Mary Pickford and Bess Meredyth (more on her in a future column) who helped found the Academy of Motion Picture Arts and Sciences (along with thirty-three male screenwriters). She was also a suffragette – and a pilot in those early days of aviation when, like the new world of motion pictures, even the skies were open to female trailblazers.

Read Jeanie MacPherson – The Genius Behind DeMille — Dr. Rosanne Welch, Script magazine, August 2021


Read about more women from early Hollywood


Stephens College and Writers Guild Foundation Present The Panel Discussion — “It’s All Relative: Writing Matriarchs” [Video]

During every Residency Workshop the Stephens College MFA in TV and Screenwriting Executive Director, Dr. Rosanne Welch, joins with the Writers Guild Foundation to moderate a panel on a topic of interest to female writers.  This year we planned one on Writing Diverse Families – but in the last day before our panel 2 panelists had to drop out due to… family duties.  So we pivoted, realizing the panelists who were able to appear all had shows that involved 3 generational families lead by matriarchs.  

Hence the title:   It’s All Relative: Writing Matriarchs.

This gave us a chance to explore how these female TV writers have expanded depictions of the relationships between grandmothers, mothers and daughter over the years and how they’ve developed storylines that reflect the complexity and universality of these inescapable bonds. Panelists include Sheryl J. Anderson – Creator and Executive Producer, Sweet Magnolias;  Lang Fisher – Co-creator and Executive Producer, Never Have I Ever; and Valerie Woods – Co-executive Producer, Queen Sugar. Everyone shared memories of their own family matriarchs and the inspiration they continue to provide each woman’s writing.

 Stephens College and Writers Guild Foundation Present The Panel Discussion --

Due to Covid we recorded this panel live at the Jim Henson Studios where we host our Workshop in front of the live audience of MFA candidates.

Online Panel Discussion: It's All Relative: Writing Diverse Television Families, Friday, August 6, 2021, 5:30 PM  7:00 PM - Stephens College MFA in TV and Screenwriting

12 90210 & Teenage Lives from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

12 90210 & Teenage Lives from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

If you go pre-90210 you’re going to find that teenagers were more often in comedies and more often in kind of doing silly things and very superficial things — getting a date — things like that and from 90210 on they had real lives and real things could happen to them and real problems happen to them and as you said continue through Euphoria exactly exactly. You don’t do a teen show these days that doesn’t look at their lives more in-depth. I guess that’s what I’m going to say.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.

From The Journal Of Screenwriting V5 Issue 2: Writers Guild Foundation Shavelson-Webb Library and Archive by Miranda J. Banks

Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne


Writers Guild Foundation Shavelson-Webb Library and Archive by Miranda J. Banks

This article provides an overview of the resources available at the Writers Guild Foundation Shavelson Webb Library in Los Angeles, California. Included is a history of the library, an explanation of the Writers Guild Foundation’s Archive, and discussion of the library and archive’s extensive holdings. The author details resources available online. The article also offers information on how to prepare for a visit to the library and best practices when conducting research or using the Writers Guild Foundation Library and Archive for scholarly or creative work.

From The Journal Of Screenwriting V5 Issue 2: Writers Guild Foundation Shavelson-Webb Library and Archive by Miranda J. Banks


Journal of Screenwriting Cover

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

38 More On Working Well With Others from There And Back Again: Writing and Developing for American TV [Video]

38 More On Working Well With Others from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

There was this violin and I kept sitting in the room thinking it took 26 years to make this violin and it’s really important. You give it to the kid soon. Throw it away and make a new one. Something’s wrong with the wood right? I said this is my problem is you know he said I’ll fix the problem. The angel will have given this guy the wood and therefore he can’t throw it away right? He’s like well 26 years and making his violin, the angel handed him a crap piece of wood okay? I need to start again. This is — I need a reason why you can’t throw this piece of wood away and it’s a Christmas episode. There’s only one piece of wood an angel can give me that I won’t throw away on Christmas eve. What is that?

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

04 Sex and Marriage from Concord Days: Margaret Fuller in Italy [Video]

In researching and writing my book on Giuseppe and Anita Garibaldi and the unification of Italy (A Man Of Action Saving Liberty: A Novel Based On The Life Of Giuseppe Garibaldi)  I re-discovered the first American female war correspondent – Margaret Fuller — who I had first met in a college course on the Transcendentalists. I was once again fascinated by a life lived purposefully.

Then I found Tammy Rose’s podcast on the Transcendentalists – Concord Days – and was delighted when she asked me to guest for a discussion of Fuller’s work in Italy as both a journalist – and a nurse. — Rosanne

04 Sex and Marriage from Concord Days: Margaret Fuller in Italy [Video]

Watch this entire presentation

Concord Days sends love to Margaret Fuller on the anniversary of her death in 1850.

The conversation focuses on Margaret’s exciting days in ITALY!

Dr. Rosanne Welch takes us through her adventures and enthusiastically reminds us what she was like when she was living her best life!

Transcript:

Rosanne: So they knew sex. They talked about sex and they wanted to be careful about it.

Tammy: Right.

Rosanne: Exactly. So funny.

Tammy: Yeah. Well, and Margaret was especially aware of issues about being a woman in a make society and issues of marriage and how it was very hard to actually have an equal balance between two intellectual individuals because it was not something that she had generally seen or that generally happened.

Rosanne: It didn’t. It wasn’t socially acceptable. Women were supposed to accept that, even if you were semi-smart, you had been allowed some learning, which she got lucky because her father believed in that. Then you gave that up when you went home and then you just took care of the kids if you got married.

Tammy: Right and her father started training her when she was a kid. This is not a little thing. He was a strict disciplinarian and wanted her to be translating The Aeneid by the time she was 10 without any hesitation and without any errors and she had nightmares as a child because he was holding her up to such a high standard, but I think she lived by that high standard for the rest of her life.

Now Available: Gloria Steinem: A Life in American History by William H. Pruden III, Edited by Drs. Rosanne Welch and Peg Lamphier

Good Morning to all our dedicated authors in the Women Making History series for ABC-Clio.

Peg and I wanted to share the nice news that Book #2 has been published and congratulate author Bill Pruden for all his hard work on the life of Gloria Steinem.  We can’t wait to see the rest of the books in our series come to publication. 

Now Available: Gloria Steinem: A Life in American History by William H. Pruden III, Edited by Drs. Rosanne Welch and Peg Lamphier

We know (being meant for libraries) that the volumes are higher priced so we can’t ask you all to buy a copy  –  but you can alert your local public or school library to their existence and ask that they buy a copy for their stacks (or their Kindle offerings). (Download A PDF Flyer for the book

Stay safe and keep reading! — Rosanne and Peg

11 Even More On Beverly Hills 90210 from Worry and Wonder | The Courier Thirteen Podcast [Video]

Watch the entire presentation – Worry and Wonder | The Courier Thirteen Podcast | Episode # 29 here

11 Even More On Beverly Hills 90210 from Worry and Wonder | The Courier Thirteen Podcast [Video]

Transcript:

So those characters became three-dimensional human beings for the five years he ran the show and then he left and a couple of people who mostly worked in — more that’s the word I want — more soap opera kind of things and I like soap operas. I don’t think they’re bad but they’re a different style and they turn the show into who is having sex with who each week but it stayed in the air for another three or four years because of the foundation, the love, for those original characters that the audience had. They just kept wanting to watch them even if the stories got less and less interesting and that’s the power of what he put together in those first two years. So truly believing and caring about those characters — which meant he truly believed and cared about the writing — the stories had to be real and I think that showed. That’s why I mean come on why do you guys still know what Beverly Hills 90210 is? You weren’t around in the 90s right but it’s been around and rerun. There’s a lot of other teenage shows but that one sticks right? There’s a reason for that.

It’s always fun to sit down with students and share stories about entering the television industry and how things work at all stages and I had that opportunity the other day.

Daniela Torres, a just-graduated (Congratulations!) student of the Columbia College Semester in LA program asked me to guest on a podcast she had recently begun hosting with another college student she met during her internship (good example of networking in action!).

We could have talked all morning (the benefit of a 3 hour class session) but we held it to about an hour and fifteen minutes or so. Hopefully, along the way I answered some questions you might have about how the business works. So often it amounts to working hard at being a better writer and gathering a group of other talented, hard-working people around you so you can all rise together.

Dr. Rosanne Welch is a television writer with credits that include Beverly Hills 90210, Picket Fences, ABCNEWS: Nightline and Touched by an Angel. She also teaches Television Writing and the Art of Film at San Jose State University.

Rosanne discusses what made shows like Beverly Hills 90210 compelling, what to do and not to do when attempting to pitch a show to broadcast or streaming, what most young writers neglect in their writing process, and much more!

The Courier Thirteen Podcast is available on YouTube, Spotify, Apple Podcasts, SoundCloud, and Audible.