Mentoris Project Podcast: Relentless Visionary: Alessandro Volta With Author, Michael Berick [Audio]

Mentoris Project Podcast: Relentless Visionary: Alessandro Volta With Author, Michael Berick

Mentoris Project Podcast: Relentless Visionary: Alessandro Volta With Author, Michael Berick [Audio]

Read Relentless Visionary: Alessandro Volta

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If asked to list important inventors, few remember to include Alessandro Volta. Yet, his is a household name more spoken than that of Alexander Graham Bell, the Wright Brothers, or even Thomas Edison. That’s because the terms “volt” and “voltage” can be attributed to Volta, the inventor of the “Voltaic pile,” which is recognized as the first electric battery. A product of the Age of Enlightenment—a time when ideas about reason, science, literature and liberty took center stage—Volta employed a very modern, hands-on approach to his work. Though he had no formal education, he was the first person to identify the gas known as methane, and created the first authoritative list of conducting metals. Alessandro Volta saw things not just as they were, but as what they could be. He was a disrupter, an innovator and a visionary. Above all, he was relentless. Without Volta’s hunger to create and his drive to invent and discover, we might not have electric cars, laptops, cellphones, and hearing aids today.

 


About the Author

Michael Berick is a writer and journalist, whose work has appeared in outlets such as the Los Angeles Times, Entertainment Weekly, LA Weekly, AAA Westways Magazine, and the San Francisco Chronicle. He has written about European chocolate destinations, reviewed artist Ed Ruscha’s retrospective, and penned press material for the Grammy-nominated boxset, Battleground Korea: Songs And Sounds Of America’s Forgotten War. He also might possibly be the only music critic to have voted in both the Fids and Kamily Music Awards and the Village Voice’s annual Pazz & Jop Poll. Hailing from Cleveland, Ohio, Berick currently lives in Los Angeles with wife, playwright/screenwriter Jennifer Maisel, and their daughter and dog.

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Also from the Mentoris Project

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39 Fay Kanin from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (40 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

39 Fay Kanin from

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Transcript:

Fay Kanin is very cool. She was married to Garson Kanin’s brother and so they worked together and not only in movies but now we’re blending into the television era and she wrote this brilliant TV movie. She got an Emmy Award with Carol Burnett and it was about a mother who found out her son had been killed in Vietnam by friendly fire but the government had said it was enemy fire and she — when she — in looking into how he died — discovered that and then she wanted to make it known so people understood that was one of the risks that your children were taking when they joined the military. It’s a very powerful TV movie. There she is with her husband Michael. These are some of the other things that they did that everybody knows.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

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Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

24 The Beatles, Hendrix, and The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute 7 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

24 The Beatles, Hendrix, and The Monkees from

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Transcript

Speaking of The Beatles, as I said they actually did know each other. They hung out with each other. They respected each other. When Davy Jones died there was a clip of Paul McCartney and he was doing a little ‘Here They Come” bit and going you know I remember them I liked them. It was so cool. So they were respected by lots of people. Peter himself attended the Monterey Pop Festival with Micky Dolenz who’s not in this picture. Again behind him is Janis Joplin as we said but also at the Pop Festival is when they met this young, really great guitar player who they invited to come along as the opening act to their concerts the next season and his name was Jimi Hendrix and they thought he was so flamboyant and so much of a character that it would match the characters they were playing. Except after about 6 or 7 concerts he quit because all the kids were doing was yelling please bring Davey onstage and they didn’t recognize the quality of Jimi Hendrix. So he left. He was never angry at them and they were friends and obviously, sadly he died just a couple of years later. There’s some great footage — photographs of them sitting in hotel rooms together riffing and playing and again all respecting each other’s work. So I think that’s really cool.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo

36 Star Wars, Alien, and Women Characters from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (1 minute)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

36 Star Wars, Alien, and Women Characters from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

And of course, it brought us many other powerful engaging women right? We got Rei. We’re dealing with Padme from the earlier session. We had Jyn Erso. I really like Rogue One more than I even like the new Star Wars, but that’s just me. Then we have Rose Tiko which was a big move right and then there are people kind of Oh, what’s she doing in there. She doesn’t have any place in the movie. She does. She’s showing us that people of Asian descent show up in the future. That’s a huge message right and again she does it mostly peacefully you know there’s a gun in there someone but we get rid of that pretty quick and then it’s about your skill with it with lightsaber stuff. Moving forward we all know or we think we know Alien right and Sigourney Weaver. Sadly the rumor in Hollywood is that the reason that character is so strong and interesting is the it was written to be a man and when they couldn’t get a male to star in the movie they just threw it to Sigourney Weaver and they never rewrote it girl-ify it up. So she’s powerful because she’s doing all the things we expect men to do in movies without having to be a guy.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

38 Elaine May from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (53 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

38 Elaine May from

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Transcript:

Elaine May is another name that’s fallen out of history and shouldn’t. Now we’re in the 70s. Elaine I think is a brilliant writer. Heaven Can Wait wouldn’t be what it was. Warren Beatty got tons of focus for that but she wrote it. She came out of doing nightclub things with Mike Nichols. They were Nichols in May and they wrote all their routines. It was like a traveling SNL sketch. You probably still know who Mike Nichols is, but Elaine May has fallen out of history because at a certain point she started directing. Which is cool, but she directed a movie called Ishtar which lost a ton of money and she was never given a directing job again. I can name you many a man who has directed a film that lost a ton of money and somehow they still got a second and a third and a fourth job. Elaine Mae was never given the right to direct a film again. Her writing is brilliant and as you know she still continued writing she did Primary Colors.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

23 Music and The Monkees from “Why The Monkees Matter: Even 50 Years Later [Video] (1 minute 9 seconds)

Enjoy This Clip? Watch this entire presentation and Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

From Denver Pop Culture Con 2019.

Wherever you go, you find Monkees fans and the Denver Popular Culture Con was no different.  Amid rooms full of caped crusaders and cosplay creations, I was initially not sure how many folks would attend a talk on a TV show from the 1960s – but happily I was met by a nice, engaged audience for my talk on Why the Monkees Matter  – and afterward they bought books!  What more could an author ask for?

23 Music and The Monkees from

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript

But part of what made them last, we all know, it’s the TV show and it’s the music. The music mattered very much to them. There was, of course in the beginning, the first two albums. The first two up there More Of The Monkees and The Monkees, they sang everything. They played nothing. Not their fault. It was played by The Wrecking Crew who were the band that played The Beach Boys albums for the Beach Boys. They played for lots of famous bands in the day. It’s just that people got very angry that The Monkees were famous so quickly because they had a TV show, and so they got a bad reputation, but because of that reputation, the third album Headquarters is entirely them. Every song is written by one of the four of them. Every tune is sung by all of them and all the instrumentation is all of them. They have nothing else. That is to prove they could do it. That album was second the entire summer of 68. The first album all summer was Sgt. Pepper’s. That’s not too shabby. If you think about it, if there wasn’t Sgt. Pepper they would have been number one the whole summer. So that’s how much the music mattered. It’s a pretty good album. There’s quite a lot of good music on that album.



Buy Why The Monkees Matter: Teenagers, Television and American Pop Culture

A hit television show about a fictitious rock band, The Monkees (1966-1968) earned two Emmys–Outstanding Comedy Series and Outstanding Directorial Acheivement in Comedy.

Capitalizing on the show’s success, the actual band formed by the actors, at their peak, sold more albums than The Beatles and The Rolling Stones combined, and set the stage for other musical TV characters from The Partridge Family to Hannah Montana. In the late 1980s, the Monkees began a series of reunion tours that continued into their 50th anniversary.

This book tells the story of The Monkees and how the show changed television, introducing a new generation to the fourth-wall-breaking slapstick created by Laurel and Hardy and the Marx Brothers.

Its creators contributed to the innovative film and television of 1970s with projects like Bob & Carol & Ted & Alice, The Mary Tyler Moore Show, Laugh-In and Welcome Back, Kotter. Immense profits from the show, its music and its merchandising funded the producers’ move into films such as Head, Easy Riderand Five Easy Pieces.

McFarland (Direct from Publisher) | Amazon | Kindle Edition | Nook Edition

Want to use “Why The Monkees Matter” in your classroom?

Order Examination Copies, Library and Campus Bookstore orders directly from McFarland

McFarland Company logo

Listen to “Between the Sheets: Writing About Sex on TV” from the Writers Guild Foundation and Stephens College MFA in TV and Screenwriting [Audio]

Between the Sheets: Writing About Sex on Television

Listen: Between the Sheets: Writing About Sex on TV [Audio]

Listen to Between the Sheets: Writing About Sex on TV from the Writers Guild Foundation and Stephens College MFA in TV and Screenwriting

The Stephens College MFA in TV and Screenwriting program teamed up with the Writers Guild Foundation to pull the covers back on a topic that still makes viewers blush: sex. On this special evening, our panel of TV writers and producers share how they approach writing about sex, from intimate scenes to revealing dialogue, and the nuances they consider when crafting stories about sex and sexuality.

Panelists:

  • Michelle Ashford – Masters of Sex, The Pacific
  • Cindy Chupack – I’m Dying Up Here, Divorce, Sex and the City
  • Sahar Jahani – 13 Reasons Why, Ramy
  • Dayna Lynne North – Insecure, Single Ladies, Lincoln Heights
  • Gladys Rodriguez – Vida, Dynasty, Sons of Anarchy
  • Moderated by Dr. Rosanne Welch. 

Writers Guild Foundation@wgfoundation

Visit Stephens.edu/mfa for more information.

Follow @StephensMFA on Instagram

#MentorMonday 8 - Dawn Comer Jefferson - Stephens College MFA in TV and Screenwriting

Mentoris Project Podcast: The Faithful: A Novel Based on the Life of Giuseppe Verdi with Author, Collin Mitchell

Mentoris Project Podcast: The Faithful: A Novel Based on the Life of Giuseppe Verdi with Author, Collin Mitchell

Mentoris Project Podcast: The Faithful: A Novel Based on the Life of Giuseppe Verdi with Author, Collin Mitchell

Read The Faithful: A Novel Based on the Life of Giuseppe Verdi

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Subscribe Via iTunes | Google Play | TuneIn | RSS


The rule of power in Europe is changing… 

Born in Italy at the tumultuous end of France’s influence in Europe, Giuseppe Verdi went on to become the world’s most recognizable name in opera. 

Set against the rise of the Italian states in the middle of the nineteenth century, The Faithful depicts an artist bedeviled by his role not just as a composer, but as an unassuming icon of the Italian Unification and the birth of modern Italy. 

Through chance encounters in gilded Milanese salons and the hushed politics of the Italian opera, we experience the struggles of a man conflicted by his role as an artist and by his commitment to a country yearning for independence.


About the Author

Collin Mitchell is a graduate of UC Santa Barbara, with a degree in Comparative Literature and Film Studies. Originally from the Bay Area, he now resides in Los Angeles.

Follow @mentorisproject on Instagram

Visit the Mentoris Project for more!


Also from the Mentoris Project

Want to use these books in your classroom? Contact the Mentoris Project!`

35 Princess Leia – Part 3 from The Sisterhood of Science Fiction – Dr. Rosanne Welch [Video] (58 seconds)

Watch this entire presentation

The Sisterhood of Science Fiction: A Walk Through Some Writers and Characters You (Should) Know And Love

35 Princess Leia - Part 3 from The Sisterhood of Science Fiction - Dr. Rosanne Welch

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

This one allowed me to riff on some of my favorite female science fiction writers across time, whether they be novelists or television writers. It also opened up a good conversation on what art we support and include in our lives – and what that art says to us and about us. — Rosanne

Transcript:

What’s really cool about her is that the series survives into a couple of generations later and now, of course, she gets to be a general. That’s huge. That is a huge step that people didn’t necessarily foresee and, of course, in the new versions we’re surrounded by women in power. However, you have probably seen online much controversy over the fact that when she, who’s a general, didn’t tell dude who has got no rank what she was up to — oh no, it’s all her fault. Trouble happened. She should have told the boy. He’s way lower than her rank. She had no business telling him anything that was being planned at the higher levels, but there was so much discussion about how it was all her fault that things went bad because she should have told the boy and he would have saved the day. He’s not in charge. They are. Right? But our biases — our ideas are that they have to let the boy take over. So I think it’s really, really fascinated where we’re going with this series.



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 

37 “Girl Writer” from “When Women Wrote Hollywood” with Dr. Rosanne Welch [Video] (1 minute 6 seconds)

Part of the California State University, Fullerton Faculty Noon Time Talks at the Pollak Library.

Watch this entire presentation

37

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

Transcript:

Then, of course, we were talking about Nora Ephron but before we get Nora Ephron — that’s her mother Phoebe Efron — was a film writer in Hollywood in the 50s with her husband right but she’s the one who gave her daughter the phrase “Everything is copy.” Whatever’s happening in your life write it down that’s gonna be good in a movie someday, right? So Phoebe did all these films we’re looking at here. They did largely adaptations of musicals but they were very — Phoebe and Henry Efrain. This is Nora when she was in college. She got herself a sweatshirt that said Girl Writer because she worked at a newspaper and that’s what they were. They weren’t junior writers. They weren’t journalists. They were the girl writers who wrote the girl stuff for the newspaper, right. Do she just blazoned that on her chest and said fine Then I’ll be a girl writer right? I think it’s cute because you notice when we move into the television world that’s Madeline Pugh who wrote almost all of the I Love Lucy’s together with her male partner Bob Carol who she wasn’t married to and she called herself a girl writer. That’s all you were back in the day even though you invented Lucy for heaven’s sakes.

Dr. Rosanne Welch discusses the women in her new book “When Women Wrote Hollywood” which covers female screenwriters from the Silents through the early 1940s when women wrote over 50% of films and Frances Marion was the highest paid screenwriter (male or female) and the first to win 2 Oscars.  Yet, she fails to appear in film history books, which continue to regurgitate the myth that male directors did it all – even though it’s been proven that the only profitable movies Cecil B. de Mille ever directed were all written by Jeannie Macpherson film ever won for Best Picture was written by Robert E. Sherwood (who people have heard of, mostly due to his connection to Dorothy Parker) and Joan Harrison.


Buy a signed copy of when Women Wrote Hollywood

…or via Amazon…

Paperback Edition | Kindle Edition | Google Play Edition

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library