Category: Speaking

Transcript:

…But we can say it took from Treva in the 60s and early 70s, it takes until 2017 for an African-American woman to win an Emmy for writing again a comedy and that’s Lena Waithe who was writing on Master of None. She won the Emmy in 2017. She was also a performer on the show so much like Molly Goldberg she was in the show. She wrote an episode for her character and that episode was so honest and so beautiful that she won the Emmy award for it. So this is where we have come to right? This is where we have come to in our world. I am happy again to say that I work for Stephens College and we are all about bringing out these stories of women. We want more people to read about women, read books like Phantom Lady, who read books like my book on the Women of Early Hollywood, and know more of the names of these important women. For my world that’s pretty much what I’m here to say this morning. So we have I see 10 minutes on the clock here, so that if we would like to have any questions or chatting that’s totally optional. I’ve unshared my screen and I’m going to remake Janice the host again so I am no longer in charge of the screen. So that Janice can go from there.

Janice: Thank you very much Dr. Welch. It was just lovely. A wonderful, wonderful, wonderful program. You do so much to illuminate women and to rescue them from oblivion. As many of our women speakers have said women in various fields, we’ll do our part.

Transcript:

Then we have to think about who’s getting recognized. In this case, Joanna Lee – in the early mid-1970s – is the first female to win her Emmy Award for a drama right? We have Treva winning for a comedy. Just about eight years later, Joanna Lee is going to win for the Thanksgiving episode of The Waltons. She had been an actress in the 40s and had sadly a car accident which made it difficult for her to perform and be on set for long hours. So she turned to writing. She became a television writer working on all of these many shows right? All the way through and it’s interesting to see how she went from comedies – we always think girls have to be funny first – and then she started to do dramas right? The Mod Squad and then moved into Dynasty but she got her Emmy award for The Waltons. So this is a huge moment – again a female winning this award on her own. That’s a big deal. Outside of that are there women of color in early television. Not as many as we would like as is always the case however Madeleine Anderson came up through the news business right? She started doing a black journal out of Chicago originally and then she got jobs on Sesame Street. So through the PBS network, she started working for them doing children’s programming and The Electric Company. Always things with an educational bent. She’s the first African-American woman who ever produced a nationally aired television series, also on PBS, and also an educational series. So Madeleine Anderson’s someone whose name does not appear in most of our history books. That’s always been a problem for me.

Transcript:

That particular season The Emmys also gave an overall Emmy for best writer of the whole year and Treva won that. So she’s the only person to win two Emmys in one year. Happens to be a female who worked alone right which I love. Now before that she worked on – she did a couple episodes of That Girl and I simply want to mention that because we often say Mary Tyler Moore was the first single woman on television. She was not. Actually, That Girl was because she was an actress but we don’t take that job seriously but she was the first show. She came on two seasons before Mary Tyler Moore and even before that we should say that Julia was the first working woman on television right and that’s an early just before Mary Tyler Moore as well. So we have a few things to think about in terms of Treva Silverman. After she did television she did script doctoring. So we don’t see her name come up very often because she’s someone that would be hired — in this case for this movie Romancing The Stone — to fix it right? There’s something wrong. We want to make this movie but it’s not working. In this case, the adorable thing was the Kathleen Turner character everyone thought was too harsh and what can we do to soften her up without giving her, you know, a boyfriend or whatever because she’s going to end up you know with Michael Douglas and Treva’s idea was the idea that has spawned a series of books on how to write film and that’s called Save The Cat. She brought in a cat. She wrote an early scene where Kathleen Turner was feeding her cat and because she loved a pet the audience loved her and that salvaged the character. So that’s the kind of script doctoring that she would do pretty much for the rest of her career.