Tag: television

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

This is a great hashtag. #showusyourroom is a challenge the Writers Guild put out to get more people to have inclusive writers rooms so of course it’s up on Twitter and anyone who has a writer’s room with people of color or people of different backgrounds — ageism is the thing in Hollywood too — so there’s some of that. They’re putting their rooms up there and people who haven’t put their rooms up there is because they notice they haven’t done anything different right? So it’s kind of fun.

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Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

So the thing about writer’s rooms is they had to evolve over time right? I was — it was interesting to watch them grow. So these are a couple of, you know, empires. I mentioned today. The new thing is that video game writers are using writer’s rooms and that’s huge. These gentlemen, Ralph and George, are with Blizzard so if you know Overwatch, right, and Diablo and those things. They came out of television. They were hired by the video game companies. They are now looking for television writers because they want people who understand how a writer’s room works and they were explaining at their writer’s room — most writers rooms now five six people — theirs go to 10 or 12 because they’ve got guys who are lore experts who are going to remind you of what this character did 15 years ago with his stepsister from the other kingdom whatever that is. They have to have people who are storyboard artists who are going to show you what the new characters look like. What their weaponry looks like. They are the historians who tell you what else should be happening in this village at this time. They have a giant room full of people plus about five or six writers who are creating the story lines for these characters. So it’s really a brilliant thing to be part of.

Watch this entire presentation

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Podcast: Play in new window | Download

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Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

One of the big things about writer’s rooms these days is being as inclusive as we can be. You guys are better at that. I’m always impressed with British shows because it’s always kind of a mix of people — the ones that I get to see in America, all right, but that’s impressive to me and of course, we all know you went so far as to make The Doctor a woman. That’s huge. At least that was huge news in the states. I don’t know if it was huge news here but we’re very happy about that. So finally from the 90s and beyond we’re getting more inclusive writing rooms right, but you might notice we don’t yet have too many Asian American writers I mean there’s a lot of ethnicities not completely being represented but writer/producers are more responsible to that idea now because they recognize it makes the product better because a collaboration of many ideas is always going to be a more layered piece that you’re presenting.

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

Podcast: Play in new window | Download

Subscribe: RSS