My new book chapter in The Works of Shonda Rhimes from Bloomsbury [Book]

Rosanne announces her book chapter in The Works of Shonda Rhimes from Bloomsbury [

Order from Bloomsbury | Amazon | Bookshop.org

I’m very proud to have a chapter in this new inaugural book in the Screen Storytellers collection covering The Works of Shonda Rhimes. Edited by Anna Weinstein, an Assistant Professor of Screenwriting at Kennesaw State University, the series is designed to do one of my favorite things – bust the outdated ‘auteur’ theory by bringing attention to the writers of the stories we have loved and watched – and rewatched – all our lives. 

For this collection, my chapter focuses on how Rhimes’ shows come from the Humanism ideology even moreso than simply a feminist one, though that is what many people think. But Rhimes’ hired Dan Shapiro, chair of the College of Medicine’s humanities department at Penn State Hershey, as a consultant for her first two medical dramas Grey’s Anatomy (2005–) and Private Practice (2007–13). In this way, Rhimes was able to bring the real-world philosophy of medicine to her fictional hospitals, presenting authentic depictions of humanism to her audiences. One of the things I love about research is learning new things about people/shows/events I thought I already knew well.

The other exciting thing about this inaugural book arriving is that I have signed on to edit a similar book on The Works of Susan Harris so this book is my example of what that future project will feel like when it arrives in the mail!

 

Our Book, “Civil War on Film” Now As An Affordable Paperback! – Pre-now for August 22, 2024 Release

Our Book, “Civil War on Film” Now in As An Affordable Paperback! – Pre-now for August 24, 2024 Release 

One of the benefits of the merger between our first publisher – ABC-Clio – and Bloomsbury Publishing is that Bloomsbury is a larger, more international company with more reach. What that means for my co-writer, Peg Lamphier and me is that our book, The Civil War on Film, will be available in paperback with a $26.95 price tag (much more accessible than the hardback version that is $63) on August 22, 2024.

So if you’ve always wanted to read what Peg and I have to say about which Civil War films are the most honestly historical (spoiler alert – it’s Glory) now’s your time to buy a copy! We were so pleased to include chapters on such great films as Friendly Persuasion (1957); Gettysburg (1993); Gangs of New York (2002); Lincoln (2012); and Free State of Jones (2016) 

As they move forward they plan to release American Women’s History on Film in paperback as well so stay tuned!

The Civil War on Film at the Bloomsbury Publishing Web Site

Book Talk: Opportunities and Adventures in Scholarly Publishing with Dr. Rosanne Welch and Dr. Kristine Ashton Gunnell, Claremont, CA, February 22, 2024

If you live in the Claremont area stop in at the IAC on the Claremont campus for a Book Talk about “Opportunities and Adventures in Scholarly Publishing” on Thursday, February 22nd from 4-5:30. Free and Open to the Public.

Book Talk: Opportunities and Adventures in Scholarly Publishing with Dr. rosanne Welch and 0r. Kristine Ashton Gunnell, Claremont, CA, February 22, 2024

Rosanne Writes on Doctor Who, “The King’s Demons”, and more in the new book, Outside In Regenerates [Books]

63 New Perspectives on 163 Classic DOCTOR WHO Stories by 163 Writers

While I am quite proud of all the larger publishers I have worked with I also deeply enjoy supporting smaller presses and their niche work – especially when it comes to writing about shows I’ve loved for a long time. That’s what ATB offers every time they email me about another book in their “Outside/In” series.

They publish “thoughtful non-fiction books that explore the history of pop culture with insightful and entertaining commentary from a diverse array of writers, authors, and editors”. So far I’ve had essays in their books on the original Star Trek (on the episode ‘This Side of Paradise’) and in the book on Buffy the Vampire Slayer (on the episode ‘Hush’). My latest is an essay on the ‘Kings Demons’ episode of the Peter Davison era of classic Doctor Who. 

These are funny essays to write – and read – for deep, deep fans of these shows and it’s been fun to be involved.

Applications Now Open – Stephens College MFA in TV and Screenwriting for Fall 2024

We’re excited to have opened the window for applications to our Stephens College MFA in TV and Screenwriting’s Fall 2024 cohort.

While we have rolling admissions until all seats in the new cohort are filled. If potential MFA candidates submit materials by March 30th and suit the criteria they will be in contention for our Jan Marino Scholarship (for a woman writer 45 or older). 

Check out our new video with interviews with our most recent grads:

Inquire for more information on the program
or
Apply Now

Being a low residency program means you travel to Hollywood for 10 days at the beginning of each semester (once in August/once in January) for a workshop experience worth 3 units. We hold workshops at the historic Jim Henson Studios (originally the Charlie Chaplin Studios) in Hollywood, California.

Panel w group

Each semester students will take 3 courses after the workshop. They have one mentor for a television script and one mentor for a screenplay. The television mentors change each semester because in Fall semester you write a spec script/in Spring a pilot; the screenplay mentor is onboard for the whole year, as the Fall semester is all about developing an outline and writing Act One of the screenplay, and in the spring semester you complete and revise the script. Our instructors are all chosen because they are working writers and members of the Writers Guild of America (WGA).

In year two, there’s a second screenplay written (with a different mentor) and a thesis project, which can be anything from a web series to a limited series pilot and bible to a group of short films to an actual written thesis.

Our History of Screenwriting Courses are taught with a female gaze. Taught by our Executive Director so she can stay in touch with MFA candidates across their 2 years in the program. In the course, students read texts and view films each week that feature female-focused stories, and then post responses to the material. At the end of each semester, students turn in a profile of a screenwriter.

In 2017, 22 of these profiles written by MFA students were compiled into the book WHEN WOMEN WROTE HOLLYWOOD, published by McFarland Press.

If you are a writer looking to move your material to the next level so it will secure you a spot in the industry – or a college educator who wants a graduate degree to move up in the academic world – then our program is perfect for you. 

Join us in Fall 2024 in Hollywood!

Together in Chapel

 

Join Dr. Rosanne Welch for a Free Web Conversation on Writing as Activism, Friday, April 7, 2023 [Online]

Join Dr. Rosanne Welch  for a Free Web Conversation on Writing as Activism, Friday, April 7, 2023 [Online]

I’m pleased to have been invited as a guest panelist for a Kopenhaver Center Conversation as I share in their goal to “empower both women and non-binary professionals and academics in all the fields of communication, in order to develop visionaries and leaders who can make a difference in their communities.” 

Along with my friend and colleague Rashaan Dozier-Escalante we will be discussing “Writing as Activism: Creating for Inclusion on the Screen”.

 

Join us for this free online event

Friday, April 7, 2023
(1:00-2:00pm Central/11am-12noon Pacific/2-3pm Eastern). 

REGISTER NOW

 


We empower women in all fields of communication

As a satellite location of the Lillian Lodge Kopenhaver Center for the Advancement of Women in Communication, we share the organization’s primary mission: To empower both women professionals and academics in all the fields of communication, in order to develop visionaries and leaders who can make a difference in their communities and their profession.

New Reviews for American Women’s History on Film written by Dr. Rosanne Welch and Dr. Peg Lamphier

 

American Women’s History on Film, my newest book co-written with my colleague Dr. Peg Lamphier is out now and so some reviews are beginning to roll in. While this review in Booklist (March 2023) is mostly informational it’s always nice to hear that our writing style is “informative and engaging” and that this “makes the book a welcome addition to women’s and film-history collections.” That’s been our hope since being commissioned for the book a few years ago.

Yep, it takes a few years from being commissioned to do the research, do the writing, do the rewriting, do the editing, and then for the publishers to print and distribute the book. Our first book in the series covered Films of the Civil War – with that historical period being Peg’s academic specialty and film being mine. Covering women’s history and film this new book fits perfectly in each of our wheelhouses. 

The icing on the cake for me was the chance to celebrate films I adored in my childhood and that I now have on the viewing list for the Stephens College MFA in TV and Screenwriting like: Norma Rae, and Silkwood alongside films written and produced by friends of mine such as On the Basis of Sex (produced by Karen Loop) and Hidden Figures (written by Allison Schroeder).  

Student Voices: TV + Screenwriting from the Stephens College MFA in TV and Screenwriting [Video]

Thanks to all the current MFA candidates and alums who sat for interviews so that we could create this video for the Stephens College MFA in TV and Screenwriting and thanks to the Stephens College videographer, Andrew Church, for all his work on the project. Who knew a 2-minute video could take so many hours of interviewing and editing – oh, yeah, anyone else who does this for a living.

Student Voices: TV + Screenwriting from the Stephens College MFA in TV and Screenwriting [Video]

Rosanne Hosts WGA Panel: Anatomy of a Meet Cute: Writing Romantic Comedies, Zoom Webinar, Fri. Jan. 13, 2023, 6pn-730pm

During every Stephens College MFA in TV and Screenwriting Residency Workshop our program co-sponsors (with the WGA) a Zoom panel of writers focusing on a particular topic and which I have the pleasure of hosting. This January 13th the topic is “Writing Rom-Coms”

Guests who have RSVP’d so far are Nia Vardalos (My Big Fat Greek Wedding) and Kirsten “Kiwi” Smith (Legally Blonde/10 Things I Hate About You).

I can’t wait to talk all about the hard work of making people falling in love look easy. My personal point is that choosing your life mate is one of the most important decisions most people will ever make so rom-coms are more important than detective films or even war movies since not all of us will be in those situations. It’s going to be a fun conversation!

 

Anatomy of a Meet Cute: Writing Romantic Comedies

Friday, January 13, 2023

6:00 PM – 7:30 PM

Zoom webinar

Join us and RSVP here

 

From the WGA Foundation…

We team up once again with Stephens College MFA in Television and Screenwriting for a virtual panel on writing romantic comedies. Moderator and Stephens College MFA Director Dr. Rosanne Welch explores the genre with our panel of screenwriters to learn they approach crafting their screenplays, their thoughts on the essential elements of a rom-com, how the genre has evolved through the years, and why rom-coms continue to be an enduring comfort watch.

Panelists:

  • Kirsten “Kiwi” Smith – Writer/Producer, Trinkets, Legally Blonde films, 10 Things I Hate About You, The Ugly Truth
  • Nia Vardalos – Writer/Director/Actor, My Big Fat Greek Wedding films, Larry Crowne, I Hate Valentine’s Day
  • Stay tuned for more panelist announcements!

Panel starts at 6:00pm Pacific time. 

After signing up, you’ll receive information on how to access the Zoom panel. 

If you have any questions, please feel free to reach out to us at events@wgfoundation.org.

SRN 2023 Conference, Columbia, Missouri USA – Call for Papers – Proposals Due January 6, 2022

SRN 2023 Conference, Columbia, Missouri USA - Call for Papers - Proposals Due January 6, 2022

CALL FOR PAPERS

SRN 2023: GENDER AND THE FEMALE GAZE

September 20-23, 2023

The SRN (Screenwriting Research Network) is comprised of scholars, writers, and practice-based researchers. Started in 2006, the network currently has 700 members from 50+ countries. The aim of the annual International Conference is to continue, and expand, discussions around the screenplay and to strengthen a rapidly emerging, and global, research network. For more information, please visit our website: http://screenwritingresearch.com

The 15th annual conference is organized by the Stephens College MFA in TV and Screenwriting and the School of Integrative Studies at Stephens College. The arts and humanities thrive in Columbia, Missouri, as dozens of on- and off-campus performances occur year-round at Stephens, making the College one of Columbia’s premier centers for the performing arts.

Call for Papers:

Coming from a host college that focuses on female participation in the arts, the conference theme “Gender and the Female Gaze” wants to discuss the contributions of female screenwriters and the plethora of female-focused stories told on screen from the Silent Era through the modern-day. We encourage and embrace research that is around women of different ethnicities, religious and cultural backgrounds, and particularly hope to engage topics which relate to minority cultures within minority (and majority) communities.

We are thus particularly interested in abstracts for presentations on (but not limited to) the following topics:

  • Female screenwriters in silent cinema
  • The influence of female writer (-directors) in contemporary culture
  • Case studies on individual female screenwriter’s work
  • Patterns in the women-centered stories that have been brought to the screen
  • Historiography of manuals and screenwriting pedagogy where this reflects the work of female screenwriters
  • Censorship of women’s stories and women’s writings
  • Female screenwriters within writing partnerships
  • The work of female screenwriters within script production (e.g. as showrunners, script editors or consultants)
  • The question of a female voice within screenwriting
  • The cultural influence of female characters created by female screenwriters
  • The way life experiences led to the story told
  • The challenges to their projects screenwriters often meet which speak to political, religious, gender or other barriers which may not apply to their male counterparts.
  • The real-world impact of the script on its audiences and society.
  • Examples of the ways women stepped out of traditional roles to work for change and an improved future for themselves and their communities through screenwriting.
  • How female screen stories tackled issues of culture, religion, identity, gender and race
  • How women have negotiated screen industry norms and practices, biases and social hurdles in order to tell their screen stories.
  • Ways in which the professional woman’s everyday life (e.g. romance, marriage, parenthood status or citizenship) has been challenged or made more challenging because of her professional work, and vice versa.
  • Issues caused by unreliable narrators of history
  • Studies of cultural appropriation in screenwriting; cultural imperialism; cultural disconnect and/or discord which comes about through discourses of power
  • Research into the ways in which money/ finance precludes certain stories from being told, even by successful screenwriters

Proposals for presentations beyond the theme of the conference are also welcome. The aim of the SRN being to foster research that rethinks the screenplay in relation to its histories, theories, values, and creative practices, any proposal underpinned by such research will be considered. We expect papers on the broad topics of pedagogy, theory, and practice – but even those may reflect the conference theme via the choices of writers chosen for inclusion in the study.

Essential Information:

Deadline for abstracts: January 6, 2023
Acceptances: February 15th, 2023
Registration by: June 30, 2023

Submissions via email and contact:

Rosanne Welch
rwelch@stephens.edu

Submission of abstracts/proposals

  • Proposals/Abstracts can be sent as either a Word or PDF document: please indicate
  • “yourname_PROPOSALTYPE” (i.e. paper or panel) clearly in the file title and in the subject heading of your submission.
  • All presentations will be delivered in person, in English, and be underpinned by original research work being conducted by the presenter. Multiple presenters (max. 2) for co-written papers are allowed.

1.) Proposals for traditional 20-minute papers, followed by Q&A. They should include:

  • Title
  • Author’s name
  • Affiliation (university, independent, practitioner, etc.)
  • Contact details
  • Abstract (max. 300 words)
  • 4-6 keywords
  • short bio (max 150 words), detailing your research activity, publications and/or screenwriting practice – and if the piece contributes to the conference theme please note.

2.) Proposals for Pre-constituted panels

Proposals for pre-constituted panels can be submitted by any of the presenters or the Chair of the panel and should include:

  • title of the panel
  • brief outline (100 words maximum) of the overall topic
  • abstracts of all the presentations – no more than 3 papers – following abstract guidelines listed above.

Abstracts should follow the guidelines for individual papers as above and include short bios and contact details of both the speakers and the panel Chair. Wherever possible, the Chair should NOT be one of the presenters. If a proposal for a pre-constituted panel does not include a Chair, the Conference Committee will appoint one. All proposals should indicate “Panel Proposal SRN 2022 in the file title and in the subject heading of the submission email.

Website and registration

The Website for the conference will include a wealth of useful information (e.g., registration, travel arrangements, accommodation options), as well as all the updates and the program leading up to the Conference. It will go live in early December.

The conference fee is expected to be in the region of $120 USD.