An update – Thanks for 2600+, Find videos on YouTube, and San Diego Who Con talks announced via TikTok [Video]

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An update – Thanks for 2600+, Find videos on YouTube, and San Diego Who Can talks announced ##doctorwho ##whocon ##screenwriting ##thanks

♬ Doctor Who (Main Theme) – TV Generation

An update - Thanks for 2600+, Find videos on YouTube, and San Diego Who Can talks announced via TikTok [Video]

13 Something’s missing in writer’s rooms from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

With the full recording of “How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

13 Something's missing in writer's rooms from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

Transcript

Something’s missing in these early writer’s rooms. What’s — who’s not in that picture? Audience: Women. Uh-hum. it’s kind of obvious, you know, so we had these shows that we admire greatly but they didn’t have a female perspective. Hello? They were missing and their opinion is missing and I think that’s a problem. But then along came Buffy and Buffy had a staff that included many female writers — some of whom are now credited with giving it the feminist bent that it had. Joss Whedon may have started the show but now we also know that — like Woody Allen — there are things we don’t like about him. So it seems it was the women on the staff who maintained that feminist idea right up to the point where they credited the first lesbian couple on television, Tara and Willow — and that was a big step in American television. So, Buffy’s a big step. Now, here we have a room for Orange is the New Black, which has many females, but it’s missing something different. Audience: People of color. A person of color, exactly, and yet the show itself was filled with women of color as characters. So, again, we have to address that issue. We’re not getting all the perspectives we can.

For more information on the Screenwriting Research Network, visit

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Dr. Rosanne Welch Speaks at the 2021 Stephens College MFA in TV & Screenwriting Commencement [Video]

Dr. Rosanne Welch gave the welcoming remarks at this year’s commencement ceremonies for the Stephens College MFA in TV and Screenwriting for the Class of 2021, reminding everyone of the program’s motto:  Write. Reach. Represent.

Dr. Rosanne Welch Speaks at the 2021 Stephens College MFA in TV & Screenwriting Commencement [Video]

25 Video Game Writer’s Rooms from There And Back Again: Writing and Developing for American TV [Video]

25 Video Game Writer's Rooms from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

So the thing about writer’s rooms is they had to evolve over time right? I was — it was interesting to watch them grow. So these are a couple of, you know, empires. I mentioned today. The new thing is that video game writers are using writer’s rooms and that’s huge. These gentlemen, Ralph and George, are with Blizzard so if you know Overwatch, right, and Diablo and those things. They came out of television. They were hired by the video game companies. They are now looking for television writers because they want people who understand how a writer’s room works and they were explaining at their writer’s room — most writers rooms now five six people — theirs go to 10 or 12 because they’ve got guys who are lore experts who are going to remind you of what this character did 15 years ago with his stepsister from the other kingdom whatever that is. They have to have people who are storyboard artists who are going to show you what the new characters look like. What their weaponry looks like. They are the historians who tell you what else should be happening in this village at this time. They have a giant room full of people plus about five or six writers who are creating the story lines for these characters. So it’s really a brilliant thing to be part of.

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TikTok Response to comment from @itsmeimgarbage : Polly Platt [Video]

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Response to @itsmeimgarbage : Polly Platt ##screenwriting ##movies ##history ##women ##lastpictureshow ##film

♬ original sound – Dr. Rosanne Welch


TikTok Response to comment from @itsmeimgarbage : Polly Platt [Video]

12 Kenny Johnson from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

With the full recording of “How The Chaos Of Collaboration in the Writers Room Created Golden Age Television”

 from How The Chaos Of Collaboration in the Writers Room Created Golden Age Television [Video]

Subscribe to Rosanne’s Channel and receive notice of each new video!

 

 

When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.

Transcript

Kenny Johnson brought science fiction more seriousness, right? So he started The Bionic Woman. He moved on to The Incredible Hulk, then V, and then Alien Nation. A beautiful show about an alien nation and assimilation into new cultures all done through science fiction. So he brought social justice to science fiction and that was a very distinct way that his voice worked. I got to be his assistant for a while.

For more information on the Screenwriting Research Network, visit

Screenwriting Research Network Conference, Porto, Portugal, All Sessions


Ready to present my talk yesterday at the Screenwriting Research Conference here in Porto, Portugal via Instagram

Follow me on Instagram



* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!

500+!!!! Also, send your Questions and see complete clips and presentations on my YouTube Channel

@drrosannewelch

500+!!!! Also, send your ##Questions and see complete ##clips and ##presentations on my ##YouTube ##screenwriting ##doctorwho ##history

♬ original sound – Dr. Rosanne Welch


500+!!!! Also, send your Questions and see complete clips and presentations on my YouTube Channel

 


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24 Diversity Makes Better Product from There And Back Again: Writing and Developing for American TV [Video]

24 Diversity Makes Better Product from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

One of the big things about writer’s rooms these days is being as inclusive as we can be. You guys are better at that. I’m always impressed with British shows because it’s always kind of a mix of people — the ones that I get to see in America, all right, but that’s impressive to me and of course, we all know you went so far as to make The Doctor a woman. That’s huge. At least that was huge news in the states. I don’t know if it was huge news here but we’re very happy about that. So finally from the 90s and beyond we’re getting more inclusive writing rooms right, but you might notice we don’t yet have too many Asian American writers I mean there’s a lot of ethnicities not completely being represented but writer/producers are more responsible to that idea now because they recognize it makes the product better because a collaboration of many ideas is always going to be a more layered piece that you’re presenting.

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

23 The importance of A Voice in the Room There And Back Again: Writing and Developing for American TV [Video]

23 The importance of A Voice in the Room There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

So, for instance, we were doing a story once about a young little girl. She was nine years old and she happened to be a young girl of color. She was lost at a park or something like that and you know the first thing that came to us — what do we do next in the story — well she’s gonna go find a policeman and the two African-American women in her room went “Oh no she’s not. My parents told me never to go to a policeman” and we were like but I was always told to find a policeman if I got lost somewhere. Yeah because you’re not a woman of color. So you can be safe with them. That was a whole new perspective, right? A perspective that I would not have had had I not had that other voice in the room.

Watch this entire presentation

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* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library

22 People of Color and Television from There And Back Again: Writing and Developing for American TV [Video]

22 People of Color and Television from There And Back Again: Writing and Developing for American TV [Video]

Thanks to the gracious invitation from my Screenwriting Research Network colleague Paolo Russo – and a grant he was able to procure (and in the before-Covid time) I was able to spend a week at Oxford Brookes University working with the screenwriting masters students in Paolo’s course. At the culmination of the week, I gave this lecture on how writers rooms worked in the States.

Transcript:

Still, there’s something missing in writer’s rooms in America.

There’s some girls in that picture because it’s executive produced by a girl.

Missing something else. (Audience: people of color)People of color because you know they exist in the world.Isn’t that interesting but they were not yet existing on very many TV shows. Again a whole font of stories not being told — not being told correctly. On my show Touched by Angel we had we had two women of color and you have to remember that you only have experiences until you do research that come from your own life and that’s good and that’s a building block but it’s not everything right?

Watch this entire presentation

Subscribe to Rosanne’s Channel and receive notice of each new video!

 


* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library