Dr. Rosanne Welch Joins Panel on Monkees Books with Plastic EP Live – Tuesday February 16th, 2021, 8pm EST/5pm PST

Dr. Rosanne Welch Joins Panel on Monkees Books with Plastic LP Live - Tuesday February 16th, 2021, 8pm EST/5pm PST

Tuesday February 16th, 2021, the Plastic EP TV Facebook Live Monkees Discussion Panel will present a literary discussion on Monkees Books.

Tuesday February 16th, 2021, 8pm EST/5pm PST

Watch Live

Join Plastic EP and his distinguished, literary panel for a spirited discussion on Monkees Literature.

Participants:

  • Fred Velez
  • Charles Rosenay
  • Ed Reilly
  • Michael A Ventrella
  • Mark Arnold
  • Natalie A Palumbo 
  • Special Guest, Dr. Rosanne Welch, Author of Why The Monkees Matter

Event: ScriptChat with Dr. Rosanne Welch – Sunday, February 14, 2021 – 4PM PDT

I’m pleased to have been invited to be the guest on the weekly Twitter show #Scriptchat, hosted by editor Jeanne Veillette Bowerman.

On Sunday Februrary 14th at 4pm PDT we’ll be talking about behavior in a writers room, and the benefits of having an MFA in TV and Screenwriting.

If you haven’t checked in with their shows you should know that #Scriptchat brings the guests to the party so you can learn in a free, unbiased and respectful platform. Their #1 goal is to thoroughly enjoy spending an hour together every Sunday with writers working hard to improve and succeed, and they’re proud to have accomplished that time and time again, since 2009! – Rosanne

Event: ScriptChat with Dr. Rosanne Welch – Sunday, February 14, 2021 - 4PM PDT

ScriptChat with Dr. Rosanne Welch – Sunday, February 14, 2021

Wednesday, February 10, 2021
At 4 PM PDT – 5 PM PDT
TOPIC: Working in / behavior in a writers room, & benefits of having an MFA #WritingCommunity

@RosanneWelch – ##screenwriter, TV writer, novelist & Exec Dir, @stephenscollege MFA In TV & #Screenwriting

Engage via TwChat

Engage via TChat.io

Event: Stephens College MFA in TV and Screenwriting Open House – Wednesday, February 10, 2021

Wednesday, February 10, 2021

Wednesday, February 10, 2021
At 4 PM PDT – 5 PM PDT
 
Register Now

Explore the low-residency MFA in TV + Screenwriting with Executive Director Dr. Rosanne Welch. Our mission is to increase the impact of women and other under-represented voices in television and film. Our faculty and mentors include some of the best working writers in Hollywood, and our curriculum includes an in-depth look at the business side of TV and screenwriting.

Register Now

Dr. Rosanne Welch Speaks On “An Introduction to the Women of Early TV: There are More Women than Lucy to Love“ for the American Women Writers National Museum [Virtual via Zoom]

I’m thrilled to have been asked to make a presentation for the American Women Writers National Museum (AWWNM) on the topic of “An Introduction to the Women of Early TV: There are More Women than Lucy to Love“.  I’ll be discussing the groundbreaking work of women from Gertrude Berg (one of the first women to create, write, produce and star in a long-running hit — The Goldbergs) to D.C. Fontana (Star Trek).    — RMW Rosanne Signature for Web


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RSVP Today! 
Email AWWNM1@gmail.com

Wed Feb 10, 2021 noon-12:45 EDT

“An Introduction to the Women of Early TV: There are More Women than Lucy to Love“

Sponsored by: American Women Writers National Museum

Time & Place: noon-12:45 p.m. EDT / 9 AM PDT via Zoom

All AWWNM programs are now via Zoom until further notice. Invitations are sent via email to AWWNM’s mailing list. RSVPS are REQUIRED in order to receive a link to a specific program. If you would like an invitation, email request to AWWNM1@gmail.com.

Dr. Rosanne Welch, Executive Director of the Stephens College MFA in TV and Screenwriting, Author, Historian and Book Reviews editor of the Journal of Screenwriting will profile pioneer women who created, produced and worked on many of America’s most wildly popular early TV Programs. 

“My goal is to rescue these talented women from historical oblivion”, she said.

Some of the women writers she will discuss are:

  • Lucille Ball (1911-1989) of “I Love Lucy” fame, who also ran Desilu production company and greenlighted the blockbuster Star Trek productions.
  • Treva Silverman (1936- ) winner of two Emmy awards for the brilliant comedy The Mary Tyler Moore Show.
  • D.C. Fontana (Dorothy Catherine) Fontana (1939-2019) a story editor of Star Trek
  • Leigh Brackett (1915-1878) known as “Queen of the Space Opera” who wrote on or worked on timeless films: The Big Sleep (1946), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strike Back (1980).
  • Peg Lynch (1915-2015) She wrote about 11,000 scripts for radio and TV

New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News]

New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News]

Recently my co-author Peg Lamphier and I sat for an interview about our Civil War on Film book to discuss the American film industry’s depiction of the American Civil War and the mythologies and ideologies surrounding the experience of that war. 

We completely destroy any idea that there is something noble and admirable about the Confederacy. There is not. They fought to preserve human bondage. That should be morally revolting to all twenty-first century Americans and the fact that it is not is a testament to how far we still have to go to heal the wounds of our nation’s history of slavery.

Suddenly, the book seems even more timely than when we began writing it 2 years ago. — Rosanne


New Book by IGE Lecturers Critique the Civil War in Films 

For their third book project, lecturers Peg Lamphier and Roseanne Welch, in the Department of Interdisciplinary General Education, decided to write a book examining the American film industry’s depiction of the American Civil War. In their book, “The Civil War on Film,” the authors contend that American films are filled with mythologies and ideologies surrounding the experience of the war and further research is required to uncover the full, real history.

New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News]

Peg Lamphier and Roseanne Welch, lecturers in the Department of Interdisciplinary General Education, team up on their third book, which examines the American film industry’s depiction of the American Civil War.

According to the authors, the Civil War, which occurred from 1861-1865, is contested ground both among historians and the general public. They argue that most are clear about the anti-slavery aims of the war, as well as the fundamentally treasonous nature of succession, but neo-Confederates cast the war in terms favorable to their white supremacist agenda.

In a joint statement, Lamphier and Welch wrote, “Our book is entirely unsympathetic to the Neo-Con/Lost Cause agenda and so we’re engaged in a vigorous refutation of a number of pro-Confederate myths that serve to hamper racial equality in modern America. We hope readers will better understand the nature of the war and the troubled way it’s been filmed as they work through our book. We also hope it shows readers that films always engage in a bit of fictionalization in order to heighten the drama.”

Read this entire article

Other Welch/Lamphier Books

Announcing the Journal of Screenwriting Special Issue: Women in Screenwriting with Editors, Dr. Rosanne Welch and Dr. Rose Ferrell

I’m happy to announce the publication of a special issue of the Journal of Screenwriting focused on “Women in Screenwriting” that I co-edited with my SRN colleague Rose Ferrell, lecturer at the Western Australian Academy of Performing Arts, at Edith Cowan University. 

While focusing on females was our first mandate, our second mandate was to be as international as possible.  This issue, then, includes articles about women in screenwriting covering five continents including countries such as Japan, China, Syria, Argentina, Brazil, Peru, Zimbabwe and Canada. — Rosanne

Announcing the Journal of Screenwriting Special Issue: Women in Screenwriting with Editors, Dr. Rosanne Welch and Dr.  Rose Ferrell

 

Contents
Volume (11): Issue (3)
Cover date: 2020

  • Editorial introduction by Rose Ferrell, Rosanne Welch
  • Tang Cheng: The first female animation screenwriter and director in the People’s Republic of China by Shaopeng Chen
  • Scouting for scripts: Mizuki Yōko and social issue film in post-war Japan by Lauri Kitsnik
  • Who is the author of Neria (1992) – and is it a Zimbabwean masterpiece or a neo-colonial enterprise? by Agnieszka Piotrowska
  • The Hakawati’s Daughter: How the Syrian revolution inspired a rewrite by Rana Kazkaz
  • The silent women: The representation of Israeli female soldiers in Israeli women’s films by Mira Moshe, Matan Aharoni
  • How the scripts of Latin American screenwriters Lucrecia Martel (Argentina), Anna Muylaert (Brazil) and Claudia Llosa (Peru) have made a mark on the world stage by Margaret McVeigh, Clarissa Mazon Miranda
  • ‘Polite, no chill’ for the win: How Emily Andras engaged fans and overcame problematic tropes in Wynonna Earp by Tanya N. Cook
  • Battle of the sketches: Short form and feminism in the comedy mode by Stayci Taylor
  • Anita Loos Rediscovered: Film Treatments and Fiction, Cari Beauchamp and Mary Anita Loos (eds) (2003) by Cierra Winkler
  • Modern Film Dramaturgy: An Introduction, Kristen Stutterheim (2019) by Andrew Wickwire
  • Nobody’s Girl Friday: The Women Who Ran Hollywood, J. E. Smyth (2018) by Toni Anita Hull
  • How to Write for Moving Pictures: A Manual of Instruction and Information, Marguerite Bertsch (1917) by Diane Barley

Read article abstracts


Journal of screenwriting 94737 800x600

The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice. 

Get your copy and subscription to the Journal of Screenwriting Today!



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Learn more about the Stephens College MFA in TV and Screenwriting in this Q&A with Executive Director, Dr. Rosanne Welch

I had the pleasure of sitting down with Alex Miller, the Senior Director of Admissions at Stephens College the other day to talk about our MFA in TV and Screenwriting.

Alex had collected some of the basic questions asked by applicants so we answered them over this short 10 minute video. 

If you’d like to know what sort of activities fill the days during our 10 day residency intensive or wonder about the composition of our cohorts, or what type of classes we offer that are unique to our program — here’s the place to find out. — Rosanne

Learn more about the Stephens College MFA in TV and Screenwriting in this Q&A with Executive Director, Dr, Rosanne Welch

Learn more about the Stephens College MFA in TV and Screenwriting in this Q&A with Executive Director, Dr, Rosanne Welch

Learn more about the Stephens College MFA in TV and Screenwriting

and

Apply Today!

Join our low-residency MFA in TV and Screenwriting at the Stephens College MFA in TV and Screenwriting — Apply Now

Join our low-residency MFA in TV and Screenwriting  at the Stephens College MFA in TV and Screenwriting -- Apply Now

Join our low-residency MFA in TV and Screenwriting to share in our mission of bringing more female and underrepresented voices into mainstream media.

Apply Now

Our New Book: Women Making History: Ruth Bader Ginsburg by Nancy Hendriks – Part of new series from ABC-Clio Edited by Dr. Rosanne Welch and Dr. Peg Lamphier

Our New Book: Women Making History: Ruth Bader Ginsburg - Part of new series from ABC-CLIO Edited by Dr. Rosanne Welch and Dr. Peg Lamphier

I’m so proud to present the first book in the 8 book Women Making History series I co-edited with my good friend and colleague Peg Lamphier.

This first book, written by Nancy Hendricks, covers the life of the beloved and brilliant Ruth Bader Ginsburg, the second woman on the Supreme Court whose life inspired the film On the Basis of Sex (produced by my good friend Karen Loop).

What makes books published by ABC-Clio so special is that they include a collection of primary documents, allowing the subject of the biography to speak for themselves.  In this case Nancy has chosen to include text from the Notorious RBG’s Congressional Hearing for her nomination alongside her dissent in the case of Shelby County v. Holder in 2013 where she eloquently argued that breaking off pieces of the Voting Rights Act of 1965 because it seemed outdated was like “throwing away you umbrella in a rainstorm because you are not getting wet.”

In Nancy’s book you will read about Ruth’s happy marriage to Martin Ginsburg (one of the most renowned tax attorneys in the country) which you have probably read about, and her year of work in Sweden with the Project on International Civic Procedure, which you probably haven’t heard of yet but which turns out to be a fascinating look at this fascinating woman. Most male lawyers had turned down the job because it meant learning Scandinavian but being RBG she mastered that lickety split.

Many thanks to Nancy for her beautifully poetic writing, to Peg for being a brilliant co-editor – and to RBG for paving the way for women for so, so long. I’ve scanned the inner front page of the book since it’s the page with my and Peg’s series editor credit.  What an honor to be asked to oversee this set – and to dwell so long in the lives of these amazing women.

Look out for the rest of the series which will include biographies on the lives of Hillary Clinton, Gloria Steinem, Ida B. Wells, Helen Keller, Delores Huerta, Eleanor Roosevelt, Wilma Mankiller and Sally Ride.

Our New Book: Women Making History: Ruth Bader Ginsburg by Nancy Hendriks - Part of new series from ABC-Clio Edited by Dr. Rosanne Welch and Dr. Peg Lamphier

Description

This book offers both a biography of Ruth Bader Ginsburg, only the second-ever woman appointed to the Supreme Court, and a historical analysis of her impact in her role.

Ruth Bader Ginsburg: A Life in American History explores Ginsburg’s path to holding the highest position in the judicial branch of U.S. government as a Supreme Court justice for almost three decades. Readers will learn about the choices, challenges, and triumphs that this remarkable American has lived through, and about the values that shape the United States.

Ginsburg, sometimes referred to as “The Notorious RBG” or “RBG” was a professor of law, a member of the American Civil Liberties Union, an advocate for women’s rights, and more, before her tenure as Supreme Court justice. She has weighed in on decisions, such as Bush v. Gore (2000); King v. Burwell (2015); and Masterpiece Cakeshop v. Colorado Civil Rights Commission (2018), that continue to guide lawmaking and politics. Ginsburg’s crossover to stardom was unprecedented, though perhaps not surprising. Where some Americans see the Supreme Court as a decrepit institution, others see Ginsburg as an embodiment of the timeless principles on which America was founded.

Event: Stephens MFA in TV and Screenwriting Online Open House – Wednesday, November 18, 2020 – 4pm PST

Event: Stephens MFA in TV and Screenwriting Online Open House – Wednesday, November 18, 2020 – 4pm PSTEvent: Stephens MFA in TV and Screenwriting Online Open House - Wednesday, November 18, 2020 - 4pm PSTEvent: Stephens MFA in TV and Screenwriting Online Open House - Wednesday, November 18, 2020 - 4pm PST

Click To Register For The Event

Join our program director, Dr. Rosanne Welch, for a virtual open house to learn more about our Master of Fine Arts in TV and Screenwriting. As we prepare to welcome the 2021 cohort in fall 2021, we invite you to learn about the program, hear how the admissions process works, and an open Q&A to get all your questions answered.

Write
Reach
Represent

Online Open House with
Program Executive Director Dr. Rosanne Welch
and Director of Admissions Alexandra Miller

Stephens College Low Residency MFA in TV and Screenwriting

Check for your local time zone:

New York, USA Wed, Nov 18, 2020 at 7:00 pm EST
Columbia, USA Wed, Nov 18, 2020 at 6:00 pm CST
Denver, USA Wed, Nov 18, 2020 at 5:00 pm MST
Los Angeles, USA Wed, Nov 18, 2020 at 4:00 pm PST