19 More Favorite Films from In Conversation with Dr. Rosanne Welch [Video]

19 More Favorite Films from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Host: Is that your is that your favorite period of filmmaking or are you you know are you all over the place with what you watch when it comes to cinema.

Rosanne: I am all over the place because it depends on the story and and the stories that stick with me you know. I love that movie. I love a lot of movies from that period but I also love a lot of movies like “Bonnie and Clyde.” How could you not love “Bonnie and Clyde?” Warren Beatty films are wonderful and but on the – and there I am two gangster movies – but I also love “Heaven Can Wait” another Warren Beatty. Written by Elaine May who’s wonderful and gets lost in the history books but yeah that’s a beautiful film. So I like that period. You know it’s funny.

Host: Is that the new Hollywood period kind of thing?

Rosanne: The New Hollywood Period but also the movies that then I grew up with when they were new. I mean I think when you think about scripts “Back to the Future” is the absolute most tightest best-written movie I can think of. You can watch that movie in every single bit. There’s a great bit in the beginning you know he’s got to have that piece of paper that tells him that when the clock is going to strike – when the lightning’s gonna strike and it’s because his girlfriend comes to him – he gets the paper from a lady. Just oh we’re saving the clock tower you know here’s a fundraising flyer but a teenage boy would throw that away. So you know they had to sit there and go why would he keep it? Well, his girlfriend comes up and says I’m staying at my grandmother’s house this weekend. Here’s her number so you can call me. so it’s his girlfriend’s phone number that’s important and of course, you couldn’t do that in the modern day because he’d have a smartphone and he wouldn’t need the piece of paper but just every detail is so perfectly covered in that movie that you cannot love it.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

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With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover

13 Women Writers To Remember from When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues [Video]

Nearly two years ago I had the pleasure of being invited to join a panel at the then upcoming SCMS (Society of Cinema and Media Studies) conference set for Seattle.  As you know that was canceled due to Covid with the hopes of reconvening in Colorado in 2021.  That became a virtual conference but our group decided to reapply our panel and we four were able to ‘meet’ on Zoom on Sunday and present:  Writing Between the Lines: Feminist Strategies for Historical Absences, Cliché, and the Unreliable Narrator. 

Here you can watch a clip from my part of the presentation,

“When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues in Oral Histories”

13 Women Writers To Remember from When Men Forget Women: The Many Ways Male Screenwriters Fail to Mention their Female Colleagues [Video]

Transcript:

Selma Diamond. Brilliant writer back in the day. We know her more from being an actress on “Night Court” and being on many of the talk shows and Lucille Kallan found a way to stay in the history books because she became a novelist after she stopped writing television and I think she’s pretty brilliant. You can see this lovely picture of her. So pictures from back in the day do include the women but that’s not the one Vanity Fair chose to publish. She was memorialized a little bit in Neil Simon’s play although he took the two women and turned them into one female character. There are seven boys in this play and one girl. They couldn’t do two girls and six boys. Just thinking about how they could have arranged that right? They thought they were all the same. Even though almost any female tv writer that you meet will tell you that it was the existence of Sally Rogers that turned them into a tv writer and Sally Rogers is patterned after Selma and Lucille right because “The Dick Van Dyke Show” was the Sid Caesar Show. So the importance of those women disappears in history.

 

 


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22 On Costumes and Sonic Screwdrivers from The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years [Video] [Doctor Who]

It was great to be able to attend this year’s SD WhoCon in San Diego and present this lecture on “The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years” in which I discuss how successful I think showrunner Christopher Chibnall was in making that transition.

It gave me a chance to talk about the creative work of a showrunner/screenwriter while also reconnecting to some friends we had met at this same convention some 3 years ago – and to talk about one of my favorite subjects – Doctor Who!

22 On Costumes and Sonic Screwdrivers from The Difficulties and Delicacies of Writing the First Female Doctor in 50+ years [Video] [Doctor Who]

Transcript:

So costume is a huge and this is what a showrunner does. You sit with every single department and you decide and you get the final say. So of course you get the final hit if people don’t like what you decided but that’s your job to make decisions right and to be able to go this is why I did that and maybe I’ll change my mind if it isn’t as appealing as it could be. So costume is important but for me the most important thing that a writer brings, of course, is dialogue and he had to really think about how can this person talk like The Doctor but reference and accept the fact that you don’t look like all the previous Doctors and other people aren’t going to treat you immediately the same way they would treat a male walking into many of these situations and so that was to me a very delicate dance and I like this particular – you know very beginning right she’s like I lost my sonic screwdriver. I could build one. I’m good at building things probably and we’re all giggling right because The Doctor has to be funny but then there was this but but he she has to be competent. So you don’t want the woman to not be competent but any Doctor would have said that.

 

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STOP FORGETTING TO NAME THE WRITERS! by Dr. Rosanne Welch

STOP FORGETTING TO NAME THE WRITERS!

STOP FORGETTING TO NAME THE WRITERS! by Dr. Rosanne Welch

Once again I’ve had to email a film screening program about the blurb they posted about an upcoming screening and Q&A with the creators of a new film. Here’s the post I read:

When single father Max (John Cho) discovers he has a terminal disease, he decides to try and cram all the years of love and support he will miss with his teenage daughter Wally (Mia Isaac) into the time he has left with her. With the promise of long-awaited driving lessons, he convinces Wally to accompany him on a road trip from California to New Orleans for his 20th college reunion, where he secretly hopes to reunite her with her mother who left them long ago. A wholly original, emotional and surprising journey, Don’t Make Me Go explores the unbreakable, eternal bond between a father and daughter from both sides of the generational divide with heart and humor along for the ride. From Amazon Studios, #DontMakeMeGo will begin streaming July 15 globally only on Prime Video.

Why We Love It: Don’t Make Me Go is an emotional and beautiful exploration of the struggle between chasing your dreams or settling on the safe choices. Mia Isaac and John Cho’s chemistry is captivating in this one of a kind father-daughter road trip film. Bring tissues.

Here’s the email I had to send to the programmer:

I saw your announcement and wondered if Don’t Make Me Go is “A wholly original, emotional and surprising journey, Don’t Make Me Go explores the unbreakable, eternal bond between a father and daughter from both sides of the generational divide with heart and humor along for the ride” then WHY wasn’t the writer, Vera Herbert, invited to this live discussion? Or even mentioned in your post, which makes the reader assume that the director is a writer-director, giving them all the credit for what sounds like a film based on characters, situation, theme, and dialogue – none of which are under the auspices of a director.

As the Executive Director of an MFA in TV and Screenwriting, I subscribe to all your posts to see what events I might want to bring my MFA candidates to – but I only attend events that include writers. It’s an insult to not even name the writer. The auteur theory was invented years ago by French film reviewers who found it simpler to list directors since many were writer-directors and sometimes a film is written by 2 people which was unwieldy in a review. That’s why it exists and it’s a shame for film experts/programmers/educators to continue that practice. More women have written films than directed them (the Joan Harrison/Hitchcock team is an example) so it was another way to erase the creative work of women when we only mention directors. I would say “Please stop” but I’m tired of saying “Please”.

Dr. Rosanne Welch

13 Toshiko (Tosh) Sato from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

I recently presented a talk on Torchwood (Why Torchwood Still Matters) where I highlighted a few ways in which the show (airing from 2006 to 2011) came up with progressive and innovative ideas that are being used by other franchises today. 

I always enjoy attending the SD (San Diego) WhoCon because the audiences are so well-informed on the Whoniverse and Whovians love Captain Jack and the crew that made this spinoff program so engaging.

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13 Toshiko (Tosh) Sato from Why Torchwood Still Matters with Dr. Rosanne Welch, San Diego Who Con 2021 [Video]

Transcript:

The person of color they ended up with and did keep of course was Toshiko and here they did good and they made a small mistake or they fell into a stereotype. Certainly, they made her a regular. She has a sex life. She falls in love with an alien. So we’re going to go into omnisexual stuff too. So we’re continuing the idea of the show but she also falls in love with Owen. So you know she also falls in love with a human but usually your person of color – largely when that person is of Asian descent – never has a sex life. Never has a home family. It’s like they don’t exist except to be in the workplace. So I would say that the stereotype they fell into was of course she is our computer expert. Happens a lot. We just ran into a yet another new series in the UK called Annika and it’s the story of a female cop and one of her assistants – one of the other cops –  is the actress who played Cho Chang in the Harry Potter series. Now she’s about 30 and she does computer stuff but she also works in the field. So we’ve seen her interrogate people. So they’ve moved beyond that stereotype. They started there and now we’ve seen them move beyond that. So I would say that’s maybe the one flaw with this character but they certainly gave her a three-dimensional life and that’s really all anybody’s asking for. If you’re going to include a character they shouldn’t just be there as window dressing. They should have a complete life right and that’s been an argument for a long time with people of color on different tv shows. They don’t go home to somebody. They’re just there hanging out with the white people helping them out and it’s kind of like no they have other people in their life. So Tosh had a sex life. She had love. She had desires and she went through on most of those. So I think she’s a pretty focused…

Audience: She got more action than Jack.

Rosanne: She did. She totally did which is you know that’s I think innovative.

Audience: That’s saying something.

Rosanne: Exactly.

Audience: Jack talks a good game.

Rosanne: Exactly

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Vintage Film Projector, Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

Vintage Film Projector, , Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

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Visit The Hollywood Heritage Museum

03 Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

03 Unreliable Narrators from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]

Transcript:

The question about why we forget women screenwriters is bothering us for a long time and one of the things we fall back on is this thing called unreliable narrators and it’s really sad to think that many of these early women writers – and there were more women writing films in the early silent days than there were men. It was a Wild West of a job and so we always let women in in the beginning. We did the same thing in aviation. Tons of female flyers. They’re doing all kinds of contests flying from here to Cleveland. I don’t know why Cleveland did it with hub right and all these contests and then when it becomes a business we say oh no no no this is now a place where men can make money. You ladies should leave and we essentially leave them behind. So, one whenever we became a business – both in aviation and in Hollywood – they took women who had been producers, they’d been directors, they’d written their own material and the guys running the studio suddenly said um here’s your new contract. You’re now a junior writer and you can work with this guy and they were like thank you I’ll go back to new york and I’ll write novels right. So that’s Anita Loos and “Gentlemen Prefer Blondes” and you know Francis Marion who’s probably the most famous early female screenwriter. They just started writing novels where they could again be in charge of the whole story. You know why should they be treated that way.

 

The Stephens College MFA in TV and Screenwriting is building a relationship with the Autry Museum of the American West since both organizations are devoted to bringing out more diverse and untold stories.  Last year we were able to take our cohort of graduating MFA candidates to the museum’s theatre for a showing of Michael Wilson’s Salt of the Earth and we had plans to present a film of our choice this year – but of course the pandemic changed all that.  Instead, Autry Curator Josh Garrett-Davis asked me if I would sit for an interview about female screenwriters in the western genre and so “When Women Wrote Westerns” came to be a part of their “What Is a Western? Interview Series”

I had a great time discussing so many wonderful women writers – from Jeanne MacPherson to D.C. Fontana to Edna Ferber to Emily Andras.  If you love westerns I suggest you watch Josh’s other interviews covering everything from the work of Native Americans in Western movies to films in the western-horror hybrid. — RMW Rosanne Signature for Web


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As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Rosanne Welch about the women screenwriters of Hollywood and their contributions to the Western genre.

Find more information at the Autry Museum of the American West

What Is a Western? Gidget (1959) – Part Of The Series What Is A Western? Film Series – Autry Museum of the American West [Event]

I’m pleased to have been invited to give the introductory remarks before a showing of the 1959 Gidget film at the Autry Museum of the American West (in Griffith Park).

Join us on Saturday, August 6, 2022, at 1:30 PM. I’ll be giving a shortened version of the presentation I made when we attended the Screenwriting Research Network conference held in New Zealand a few years ago.

In a nutshell, I trace Gidget, the Little Girl with Big Ideas from its origins as a novel, its transformation into a film franchise, and then into a TV series. Along the way, we’ll discover how this one story created a new myth about how teenagers reinvented the West. — Rosanne

What Is a Western? Gidget (1959) – Part Of The Series What Is A Western? Film Series – Autry Museum of the American West [Event]

What Is a Western? Gidget (1959) – Part Of The Series What Is A Western? Film Series – Autry Museum of the American West

Saturday, August 6, 2022, 1:30 p.m.
The Autry: Wells Fargo Theater

Appropriate For: Families
Admission: Free for Autry Members | Museum Admission Included With Ticket
RSVP/Reservations:  Reservations Recommended | Space Is Limited

RESERVE NOW

What Is a Western? Gidget (1959) – Part Of The Series What Is A Western? Film Series – Autry Museum of the American West [Event]

Considered to be the first of the “beach party” movies, this coming-of-age tale is based on the true story of Kathy Kohner and her experiences as a young woman in the then-niche and masculine sport of surfing. Widely credited with the mainstreaming of surfing culture in the United States, it also inspired many films and television series featuring the character of Gidget.

Introduced by Rosanne Welch, executive director, Stephens College MFA in TV and Screenwriting

Directed by Paul Wendkos | Starring Sandra Dee, James Darren, and Cliff Robertson

Screenplay by Gabrielle Upton | Based on a novel by Frederick Kohner

The What is a Western? Film Series explores the wide range of movies that can be considered Westerns, and the ways in which they shape our understanding of the American West. Each screening includes a guest lecturer who will introduce the film and explain its significance in the genre.

 

Original documents acquiring the barn for DeMille/Famous Players Lasky, Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

Original documents acquiring the barn for DeMille/Famous Players Lasky,  Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram [Photography]

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DeMille Office, Hollywood Heritage Museum (Lasky-DeMille Barn) via Instagram

Visit The Hollywood Heritage Museum

18 ”Angels With Dirty Faces“ from In Conversation with Dr. Rosanne Welch [Video]

18 ”Angels With Dirty Faces“ from In Conversation with Dr. Rosanne Welch [Video]

Transcript:

Host: What are your what’s your favorite Jimmy Cagney movie if you have one?

Rosanne: Oh gosh I like angels and actually have my students watch “Angels With Dirty Faces” because it’s such a very perfect movie from that period right? It’s him and Pat O’Brien. He’s the gangster who’s about to go to the death you know to to to be executed and Pat O’Brien is a priest and the beginning of that movie is their two little boys – two young boys – who are robbing a train like you know stealing pencils or something and they the cops see him and they start running and the cops catch Jimmy Cagney but they don’t catch Pat O’Brien’s character and of course the concept is he goes to juvenile hall he learns how to be a bigger criminal whereas the other guy gets to go and become a priest and so it’s the perfect like I mean it’s funny because it seems cheesy but in fact it’s really about the fact that it’s about nurturing right and and how we should take children and give them better things so they want to be they can be better in life and then there’s a great ending that no one’s ever sure and it’s wonderful when the ending makes the audience think because the priest goes to his friend on the eve of his execution because there’s a bunch of boys in the neighborhood who think he’s cool and the priest is like oh no they’ll grow up to be like him and not like me. So it goes to his friend and he says you gotta do something that keeps them from making a martyr out of you and he’s like I’m never gonna do that. I’m strong and brave and everything and then they come to take him to the electric chair and he falls apart and you never know is he really just not he’s a coward he’s scared to death of dying or is he doing his priest friend a favor.

Host: Yeah i think it’s a very powerful movie.

One of the benefits of attending conferences is that you can meet the editors from the companies that have published some of your books face to face. That happened at the recent SCMS conference where I met Intellect editor James Campbell and he invited me to be a guest on his InstagramLive show.

We chatted about my work with the Stephens College MFA in TV and Screenwriting, and then my work with co-editor Rose Ferrell on the Journal of Screenwriting’s special issue on Women in Screenwriting (Volume 11, Number 3) that came out recently and which featured articles about an international set of female screenwriters from Syria, Argentina, China and Canada (to name a few).

We even had time to nerd out on our own favorite classic films across the eras which brought up fun memories of Angels with Dirty Faces, Back to the Future, Bonnie and Clyde, and of course, all things Star Wars from the original 3 to The Mandalorian. It’s always so fun to talk to fellow cinephiles.

RMW Rosanne Signature for Web

Watch this entire presentation

 

With Intellect Books Editor James Campbell (@IntellectBooks)

Speaking with Dr. Rosanne Welch, Author, teacher, and television screenwriter. Today we cover everything from women in screenwriting to our favorite Jimmy Cagney movies and Friends.

Journal of Screenwriting Cover