@drrosannewelch An update – Thanks for 2600+, Find videos on YouTube, and San Diego Who Can talks announced ##doctorwho ##whocon ##screenwriting ##thanks
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On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!
@drrosannewelch An update – Thanks for 2600+, Find videos on YouTube, and San Diego Who Can talks announced ##doctorwho ##whocon ##screenwriting ##thanks
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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Something’s missing in these early writer’s rooms. What’s — who’s not in that picture? Audience: Women. Uh-hum. it’s kind of obvious, you know, so we had these shows that we admire greatly but they didn’t have a female perspective. Hello? They were missing and their opinion is missing and I think that’s a problem. But then along came Buffy and Buffy had a staff that included many female writers — some of whom are now credited with giving it the feminist bent that it had. Joss Whedon may have started the show but now we also know that — like Woody Allen — there are things we don’t like about him. So it seems it was the women on the staff who maintained that feminist idea right up to the point where they credited the first lesbian couple on television, Tara and Willow — and that was a big step in American television. So, Buffy’s a big step. Now, here we have a room for Orange is the New Black, which has many females, but it’s missing something different. Audience: People of color. A person of color, exactly, and yet the show itself was filled with women of color as characters. So, again, we have to address that issue. We’re not getting all the perspectives we can.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
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SAVE THE DATE!
I’ll be speaking at San Diego Who Con on these topics:
Doctor Who: The Jodie Whittaker Years
and
Why Torchwood Mattered
Make plans to join me there!
Dr. Rosanne Welch gave the welcoming remarks at this year’s commencement ceremonies for the Stephens College MFA in TV and Screenwriting for the Class of 2021, reminding everyone of the program’s motto: Write. Reach. Represent.
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Subscribe to Rosanne’s Channel and receive notice of each new video!
When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Kenny Johnson brought science fiction more seriousness, right? So he started The Bionic Woman. He moved on to The Incredible Hulk, then V, and then Alien Nation. A beautiful show about an alien nation and assimilation into new cultures all done through science fiction. So he brought social justice to science fiction and that was a very distinct way that his voice worked. I got to be his assistant for a while.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
Podcast: Play in new window | Download
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My co-host, Dr. Sarah Clark and I usually host a segment on Zilch: A Monkees Podcast where we break down episodes of The Monkees in terms of history and popular culture of the time in which is was written, filmed and aired.
For this episode, however, we tackled the problem with an episode we consider to be a sad outlier to the usual mix of positive energy and creativity. The title alone will tell you the problem with the episode – Monkee Chow Mein. Sadly, against the show’s youthful promise to celebrate how “we’re too busy singing to put anybody down” the title tells you laughs were wrung from doing exactly that so in this discussion Dr. Clark and I try to understand how that happened.

Monkees News and “We need to talk about monkee chow mein”. Farewell tour, it looks like this is it.
Dolenz Sings Nesmith, a collection of songs featuring Micky paying tribute to the songbook of Michael Nesmith.
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@drrosannewelch 500+!!!! Also, send your ##Questions and see complete ##clips and ##presentations on my ##YouTube ##screenwriting ##doctorwho ##history
Read more about screenwriting with these books
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
† Available from the LA Public Library
Podcast: Play in new window | Download
Subscribe: RSS
Subscribe to Rosanne’s Channel and receive notice of each new video!
When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Don Belisario gave us the military on television and that is a very distinct voice in America. It speaks to a part of the population that doesn’t feel they’re serviced by television right which they think is all run by liberal elites. So to glorify our military is the thing that is very popular in some parts of the country and that’s because Don Belisario was from the military. So he wanted to express that part of his life in writing.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
Podcast: Play in new window | Download
Subscribe: RSS
Subscribe to Rosanne’s Channel and receive notice of each new video!
When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Then, of course , we have Steven Bochco, who gave us — he, as was said in the keynote, the multi-level story, many characters with different goals. He brought that to television in a way that hadn’t existed before. Adam-12 is a very basic, two guys do cop things all day. This was now groups of people. Here we had the policemen with their own personal lives at home. Later will have LA Law. The lawyers with their own personal lives and NYPD Lue. So that was what Bochco brought to television.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out!
Podcast: Play in new window | Download
Subscribe: RSS
The Stephens College MFA in TV and Screenwriting is hosting a booth at the True/False Film Fest taking place in Stephens Lake Park, Columbia, Missouri this May 7-9th.
Come out to meet us and find out how to Write – Reach – Represent the stories that need to be told.