
SAVE THE DATE!
I’ll be speaking at San Diego Who Con on these topics:
Doctor Who: The Jodie Whittaker Years
and
Why Torchwood Mattered
Make plans to join me there!
On Screenwriting and Media with Dr. Rosanne Welch
Writing, Film, Television and More!

SAVE THE DATE!
I’ll be speaking at San Diego Who Con on these topics:
Doctor Who: The Jodie Whittaker Years
and
Why Torchwood Mattered
Make plans to join me there!
Dr. Rosanne Welch gave the welcoming remarks at this year’s commencement ceremonies for the Stephens College MFA in TV and Screenwriting for the Class of 2021, reminding everyone of the program’s motto: Write. Reach. Represent.
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When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Kenny Johnson brought science fiction more seriousness, right? So he started The Bionic Woman. He moved on to The Incredible Hulk, then V, and then Alien Nation. A beautiful show about an alien nation and assimilation into new cultures all done through science fiction. So he brought social justice to science fiction and that was a very distinct way that his voice worked. I got to be his assistant for a while.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 
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My co-host, Dr. Sarah Clark and I usually host a segment on Zilch: A Monkees Podcast where we break down episodes of The Monkees in terms of history and popular culture of the time in which is was written, filmed and aired.
For this episode, however, we tackled the problem with an episode we consider to be a sad outlier to the usual mix of positive energy and creativity. The title alone will tell you the problem with the episode – Monkee Chow Mein. Sadly, against the show’s youthful promise to celebrate how “we’re too busy singing to put anybody down” the title tells you laughs were wrung from doing exactly that so in this discussion Dr. Clark and I try to understand how that happened.

Monkees News and “We need to talk about monkee chow mein”. Farewell tour, it looks like this is it.
Dolenz Sings Nesmith, a collection of songs featuring Micky paying tribute to the songbook of Michael Nesmith.
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@drrosannewelch 500+!!!! Also, send your ##Questions and see complete ##clips and ##presentations on my ##YouTube ##screenwriting ##doctorwho ##history
Read more about screenwriting with these books
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 
† Available from the LA Public Library
Podcast: Play in new window | Download
Subscribe: RSS
Subscribe to Rosanne’s Channel and receive notice of each new video!
When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Don Belisario gave us the military on television and that is a very distinct voice in America. It speaks to a part of the population that doesn’t feel they’re serviced by television right which they think is all run by liberal elites. So to glorify our military is the thing that is very popular in some parts of the country and that’s because Don Belisario was from the military. So he wanted to express that part of his life in writing.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 
Podcast: Play in new window | Download
Subscribe: RSS
Subscribe to Rosanne’s Channel and receive notice of each new video!
When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
Then, of course , we have Steven Bochco, who gave us — he, as was said in the keynote, the multi-level story, many characters with different goals. He brought that to television in a way that hadn’t existed before. Adam-12 is a very basic, two guys do cop things all day. This was now groups of people. Here we had the policemen with their own personal lives at home. Later will have LA Law. The lawyers with their own personal lives and NYPD Lue. So that was what Bochco brought to television.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 
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The Stephens College MFA in TV and Screenwriting is hosting a booth at the True/False Film Fest taking place in Stephens Lake Park, Columbia, Missouri this May 7-9th.
Come out to meet us and find out how to Write – Reach – Represent the stories that need to be told.
Highlighting the articles in the past editions of the Journal of Screenwriting, of which I am the Book Reviews Editor. Hopefully these abstracts will entice you to did a little deeper into the history and future of screenwriting. — Rosanne
Bridges and gaps: The Singing Detective’s serial afterlife by Sean O’Sullivan
The Singing Detective has long been considered a high point of televisual storytelling. But what is its specific legacy as a serial narrative, particularly in the contemporary U.S. context of ambitious dramas? In many ways, the experiment of The Singing Detective remains an outlier. If the likes of Mad Men and The Sopranos have re-invigorated seriality by emphasizing the gaps between episodes—by making the narrative broken rather than connected—The Singing Detective’s continuing contribution lies in its insistence on bridging the disparate parts that make a serial: old and new, sound and image, memory and imagination, ritual and eccentricity.
The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.
Get your copy and subscription to the Journal of Screenwriting Today!
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 
Subscribe to Rosanne’s Channel and receive notice of each new video!
When the folks hosting the conference announced their theme as “Screen Narratives: Chaos and Order” the word ‘chaos’ immediately brought to mind writers rooms. I offered a quick history of writers rooms (the presentations are only 20 minutes long) and then quoted several current showrunners on how they compose their rooms and how they run them.
Transcript
I was able to interview a certain set of these men — actually, Stephen Cannell in the year before he died — to talk about their time at Universal and the transition from this pool into their own rooms and how they would comprise those rooms. again, all these men that I just mentioned are famous because of what they came up with. Cannel is someone we know from many action-adventure television shows. When he passed away the show, Castle, which was big in the United States — the men who worked on that show had been in his writer’s pools early in their career. So, he was famous for this ending on his show where he would type in the typewriter and pull the paper out — that was his brand. At the end of this show, Castle, which he did not work on. they gave this — colleague, mentor, friend ending — in tribute to him. So that’s how important he was to their careers. They learned how to run their own rooms from working with him. These are all the shows that we know him from at some point or another. So he’s certainly a man with a very distinct style that stood out for a long time.
For more information on the Screenwriting Research Network, visit
* A portion of each sale from Amazon.com directly supports our blogs
** Many of these books may be available from your local library. Check it out! 
Podcast: Play in new window | Download
Subscribe: RSS